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person: medium:
The Kaminohashi, Fukagawa, Tokyo (<i>Tōkyō Kaminohashi</i> - 深川上の橋) from the series<i> Twelve Scenes of Tokyo</i> (<i>Tōkyō jūnidai</i> - 東京十二題)　
1920 Hasui Bridge
The Kaminohashi, Fukagawa, Tokyo (Tōkyō Kaminohashi - 深川上の橋) from the series Twelve Scenes of Tokyo (Tōkyō jūnidai - 東京十二題)　
The Syllable <i>Ri</i> (り) for the Carp Scroll (<i>Rigyo no ichijiku</i>): Onoe Kikugorō III as Kinugawa Yoemon (きぬ川与右衛門) from the series <i>Seven Calligraphic Models for Each Character in the Kana Syllabary</i> (<i>Seisho nanatsu iroha</i> - 清書七以呂波)
1856 Toyokuni III Scaling Gian
The Syllable Ri (り) for the Carp Scroll (Rigyo no ichijiku): Onoe Kikugorō III as Kinugawa Yoemon (きぬ川与右衛門) from the series Seven Calligraphic Models for Each Character in the Kana Syllabary (Seisho nanatsu iroha - 清書七以呂波)
Ichikawa Danjūrō VII wipes his face in front of a makeup - from the series <i>Tōsei rok'kasen</i> ('Six Choice Modern Flowers' - 當世六花撰)
1834 Kunisada danjuro fan
Ichikawa Danjūrō VII wipes his face in front of a makeup - from the series Tōsei rok'kasen ('Six Choice Modern Flowers' - 當世六花撰)
Ichikawa Ebizō VI as Namazu Bōzu in front of Danjūrō VII's portrait
1832 Kunisada Ebizo VI surimon
Ichikawa Ebizō VI as Namazu Bōzu in front of Danjūrō VII's portrait
A beauty adjusting her makeup (化粧) from the series "Types of the Floating World Seen Through a Physiognomist's Glass" (<i>Ukiyo jinsei tengankiyō</i> - 浮世人精天眼鏡)
1830c Kunisada physiognomist
A beauty adjusting her makeup (化粧) from the series "Types of the Floating World Seen Through a Physiognomist's Glass" (Ukiyo jinsei tengankiyō - 浮世人精天眼鏡)
Young Geisha/Prostitute: Fukagawa (深川[新子] <i>Fukagawa Shinko</i>) from the series <i>Edo Meisho</i> (Famous Places of Edo - 江戸名所) - <i>surimono</i>-like
1824-25 Kunisada edo meisho 1
Young Geisha/Prostitute: Fukagawa (深川[新子] Fukagawa Shinko) from the series Edo Meisho (Famous Places of Edo - 江戸名所) - surimono-like
Nakamura Utaemon III (中村歌右衛門) as Inanoya Hanbei (稲野屋半兵衛) in <i>Koina Hanbei Kuruwa Iroage</i> [小稲半兵廓色揚げ?]
1820 Hokushu utaemon role
Nakamura Utaemon III (中村歌右衛門) as Inanoya Hanbei (稲野屋半兵衛) in Koina Hanbei Kuruwa Iroage [小稲半兵廓色揚げ?]
Center panel of <i>A Meeting at Yagurashita</i> (櫓下の会合) from the series <i>A Comparison of Popular Beauties</i> (<i>Ryūkō Bijin Awase</i> - 流行美人合)
1820-56 Kunisada Hachiman Shri
Center panel of A Meeting at Yagurashita (櫓下の会合) from the series A Comparison of Popular Beauties (Ryūkō Bijin Awase - 流行美人合)
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Prints (8)

person

actor prints (yakusha-e - 役者絵) (4)
bats (komori - 蝙蝠) (1)
beautiful woman picture (bijin-ga - 美人画) (3)
Hayashiya Shōgorō (林屋庄五郎) (1)
mitate-e (見立て絵) (1)
surimono - 摺物 (1)
ōkubi-e (大首絵) (1)
Ichikawa Danjūrō VII (七代目市川團十郎: 11/1800 to 2/1832) (2)
Ichikawa Ebizō VI (六代目市川海老蔵) (1)
Kawase Hasui (川瀬巴水) (1)
Kyōto-Osaka prints (kamigata-e - 上方絵) (1)
landscape prints (fūkeiga 風景画) (2)
modern prints (shin hanga - 新版画) (1)
Moriya Jihei (森屋治兵衛) (1)
Nakamura Utaemon III (三代目中村歌右衛門) (1)
Onoe Kikugorō III (三代目尾上菊五郎: 11/1815-3/1848) (1)
Shunkōsai Hokushū (春好斎北洲) (1)
Taishō era (大正時代) (1)
Tsutaya Kichizō (蔦屋吉蔵) (1)
Utagawa Kunisada (歌川国貞) / Toyokuni III (三代豊国) (6)
Watanabe Mokuhan Bujitsu Gahō (渡邊木版美術画舗) (1)
Yokokawa Takejirō (横川彫武) (1)
and 15 more

medium

Japanese woodblock print (8)

century

19th century (7)
20th century (1)

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1820s (2)
1830s (4)
1850s (1)
1920s (1)

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1820 (1)
1824 (1)
1825 (1)
1830 (2)
1834 (1)
1837 (1)
1856 (1)
1920 (1)
and 1 more
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