• <i>Kappazuri-e</i>: from right to left a member of the Asao clan (浅尾奥治?); Ichikawa Omezō I (市川男女蔵); Kataoka Ichizō I (片岡市蔵?); Sawamura Gennosuke I (澤村源之助);  a member of the Matsui clan (松???); a member of the Nakayama Monjūrō (中山紋十郎) ; and Arashi Sankatsu (嵐三勝) in the female role
  • Ichimura Uzaemon XIII as the wrestler Chōkichi (はなれ駒長吉) and Nakamura Utaemon IV on the right as  Chōgorō (ぬれ髪長五郎) from the play <i>Diary of Two Butterflies in the Pleasure Quarters</i> (<i>Futatsu Chōchō Kuruwa Nikki</i> - 双蝶仝曲輪日記)
  • Nakamura Utaemon III (中村歌右衛門) as the apprentice Igo (伊吾) of the Amakawaya (天川屋) in the play <i>Ōishizuri sakura tanzaku</i> [大石摺桜花短冊]
  • Shiratama of the Tamaya (玉屋内白玉), representing the sign of the rabbit (<i>usagi</i> - 卯) from the Zodiac series <i>Zensei matsu no shō, jūni shi</i> ('Makeup of Flourishing Pine Trees' - 全盛松の粧)
  • Chinese boy feeding a dragon
  • <i>Genji</i> Chapter 15: 'Wasteland' (<i>Yomogyū</i> - 蓬生) from the series <i>Japanese and Chinese Comparisons for the Chapters of Genji</i> (<i>Wakan nazorae Genji</i> - 和漢准源氏)
  • The last stand of the Kusunoki at Shijō-nawate - 楠家勇士四条縄手にて討死
  • Onoe Kikugorō III in seven hit roles - (<i>Onoe Kikugorō Ōatari shichiyaku</i> - 尾上菊五郎大当七役)
  • 53 Stages of the Tōkaidō (東海道五十三次) theme game board Tōkaidō <i>sugoroku</i> (絵双六) - the title is 新板東海道五十三次道中寿語録
  • From a set of twelve: <i>Selections from the Brocade Quarter</i> (<i>E-awasa kingaishō</i>)

Welcome to The Lyon Collection!

Ukiyo-e Prints in the Mike Lyon Collection

Mike Lyon (artist b. 1951) was fortunate to have grown up familiar with Japanese prints. In his youth Lyon’s parents and grandparents displayed examples that certainly inspired his own artistic development. He began acquiring Japanese color woodcuts early in his career as an artist. The types of prints that feature most prominently among the many hundreds in Lyon's collection reflect the artist’s deep appreciation of the human figure and the expressive facial portrait. The vast majority of Japanese prints in the Lyon collection represent views of actors yakusha-e) and beautiful women (bijin-ga), and in particular the close-up, bust-length portraits of the same (okubi-e).

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