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Fujikawa Tomokichi II (藤川友吉) as the courtesan Aoyagi-dayū (青柳大夫) on the right and Nakamura Utaemon III (中村歌右衛門) as the farmer (<i>hyakushō</i>) Jūsaku (百姓重作) from the play <i>Tenmangū aiju no meiboku</i> [天満宮花梅桜松]

1828 Ashiyuki diptych
Fujikawa Tomokichi II (藤川友吉) as the courtesan Aoyagi-dayū (青柳大夫) on the right and Nakamura Utaemon III (中村歌右衛門) as the farmer (hyakushō) Jūsaku (百姓重作) from the play Tenmangū aiju no meiboku [天満宮花梅桜松]

The Eleventh Month (十一月), First Snowfall on the Day of the Rooster, the Tori-no-hi Festival (<i>Jūichigatsu, hatsuyuki, tori no hi</i> - 初雪酉の日): Aizome (相染) of the Ebiya (海老屋), from the series Annual Events in the New Yoshiwara (<i>Shin Yoshiwara nenjū gyōji</i> - 新吉原年中行事)

1828 Eisen oiran and peddler
The Eleventh Month (十一月), First Snowfall on the Day of the Rooster, the Tori-no-hi Festival (Jūichigatsu, hatsuyuki, tori no hi - 初雪酉の日): Aizome (相染) of the Ebiya (海老屋), from the series Annual Events in the New Yoshiwara (Shin Yoshiwara nenjū gyōji - 新吉原年中行事)

Two left panels of a triptych - Nakamura Matsue III (中村松江) as the <i>nyōbō</i> Komume (女房小むめ), Nakamura Ganchō I (中村元朝) as the outcast Doburoku (非人どぶ六) and Nakamura Utaemon III (中村歌右衛門) as Ume no Yoshibei (梅の由兵衛) in the play <i>Suda no Haru Geisha Katagi</i> (隅田春妓女容性)

1828 Hokucho diptych
Two left panels of a triptych - Nakamura Matsue III (中村松江) as the nyōbō Komume (女房小むめ), Nakamura Ganchō I (中村元朝) as the outcast Doburoku (非人どぶ六) and Nakamura Utaemon III (中村歌右衛門) as Ume no Yoshibei (梅の由兵衛) in the play Suda no Haru Geisha Katagi (隅田春妓女容性)

Iwai Shijaku I (岩井紫若) as the courtesan Minoya Sankatsu (みの屋三勝), jumping into a boat from a bridge to join her lover Arashi Rikan II (嵐璃寛) as Akaneya Hanshichi (赤根屋半七) in the play <i>Daigashira Midori no Iromaku</i> ['The Surge of Love Beneath the Green Cover' 台頭緑色幕]

1828 Kunihiro diptych
Iwai Shijaku I (岩井紫若) as the courtesan Minoya Sankatsu (みの屋三勝), jumping into a boat from a bridge to join her lover Arashi Rikan II (嵐璃寛) as Akaneya Hanshichi (赤根屋半七) in the play Daigashira Midori no Iromaku ['The Surge of Love Beneath the Green Cover' 台頭緑色幕]

Izumo no Imaro (出雲伊麿) stabs a <i>wani</i> (sea-monster - 鰐)

1828 Kuniyoshi
Izumo no Imaro (出雲伊麿) stabs a wani (sea-monster - 鰐)

Shiratama of the Tamaya (玉屋内白玉), representing the sign of the rabbit (<i>usagi</i> - 卯) from the Zodiac series <i>Zensei matsu no shō, jūni shi</i> ('Makeup of Flourishing Pine Trees' - 全盛松の粧)

1828ca Toyokuni II oiran
Shiratama of the Tamaya (玉屋内白玉), representing the sign of the rabbit (usagi - 卯) from the Zodiac series Zensei matsu no shō, jūni shi ('Makeup of Flourishing Pine Trees' - 全盛松の粧)

Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū

1829c Shigeharu
Nakamura Utaemon III (中村歌右衛門) as Akaneya Hanshichi (あかねや半七) holding his child Otsū

Bandō Hikosaburō IV (坂東彦三郎) on right as Ryoshi Tsunazō (猟師綱蔵) and Onoe Tamizō II (尾上多見蔵) as a long necked monster disguised as the <i>koshimoto</i> Otsuru ( 腰元おつる) - from the play <i>Kasane Ōgi Chiyo no Matsuwaka</i> (重扇寿松若)

1830-35 Kunisada 2 of a tripty
Bandō Hikosaburō IV (坂東彦三郎) on right as Ryoshi Tsunazō (猟師綱蔵) and Onoe Tamizō II (尾上多見蔵) as a long necked monster disguised as the koshimoto Otsuru ( 腰元おつる) - from the play Kasane Ōgi Chiyo no Matsuwaka (重扇寿松若)

Minamoto Yorimasa (源三位頼政 - here Genzanmi Yorimasa) on the left has shot the <i>nue</i> (鵺) - Ii no Hayata Hironao (猪早太廣直) in the center is about to finish it off. On the right panel is Watanabe Teishichi Tonau (渡邉丁七唱)

1830 Kuniyoshi triptych nue
Minamoto Yorimasa (源三位頼政 - here Genzanmi Yorimasa) on the left has shot the nue (鵺) - Ii no Hayata Hironao (猪早太廣直) in the center is about to finish it off. On the right panel is Watanabe Teishichi Tonau (渡邉丁七唱)

Tamamo no Mae [玉藻の前] transforming into a fox while Abe no Yasunari [安部泰成] holds up mirror to show her true nature

1830 Sadakage surimono
Tamamo no Mae [玉藻の前] transforming into a fox while Abe no Yasunari [安部泰成] holds up mirror to show her true nature

<i>Ehon</i> (絵本): <i>shunga</i> (春画) from the series <i>Hoshi-zukiyo ito no shirabe</i>

1830ca Kunisada shunga ehon
Ehon (絵本): shunga (春画) from the series Hoshi-zukiyo ito no shirabe

<i>Surimono</i>: The peasant (<i>nō</i> - 農) from the series Series of Four (<i>Yonban tsuzuki</i> - 四番続)

1830ca Kunisada surimono
Surimono: The peasant (nō - 農) from the series Series of Four (Yonban tsuzuki - 四番続)

Horse (<i>Uma</i> - 馬) from the series <i>Elegant Women Likened to the Twelve Animals of the Zodiac</i> (<i>Fūryū azuma sugata jūnishi</i> - 風流東姿十二支)

1830ca Toyokuni-II-0001
Horse (Uma - 馬) from the series Elegant Women Likened to the Twelve Animals of the Zodiac (Fūryū azuma sugata jūnishi - 風流東姿十二支)

<i>The Calculating Type</i> from the series 'Twelve Scenes of Modern Beauties' (<i>Imayō bijin jūnikei</i> - 今様美人十二景) or Yoshiwara (よし原)

1830s Eisen bijin
The Calculating Type from the series 'Twelve Scenes of Modern Beauties' (Imayō bijin jūnikei - 今様美人十二景) or Yoshiwara (よし原)

Nakamura Utaemon III as Ishikawa Goemon in the play <i>Kinmon Gosan no Kiri</i> (<i>The Temple Gate and the Paulownia Crest</i>) [金門五三桐]

1830s Hokushu Goemon and Hawk
Nakamura Utaemon III as Ishikawa Goemon in the play Kinmon Gosan no Kiri (The Temple Gate and the Paulownia Crest) [金門五三桐]

Triptych of Ichikawa Danjurō VII (市川団十郎) as Gantetsubō (願鉄坊) on the left, Segawa Kikunojō V (瀬川菊之丞) as Dote no Oroku (土手のお六) in the middle and Sawamura Gennosuke II (沢村源之助) as Denbei (伝兵衛) on the right

1831 Kuniyoshi Triptych
Triptych of Ichikawa Danjurō VII (市川団十郎) as Gantetsubō (願鉄坊) on the left, Segawa Kikunojō V (瀬川菊之丞) as Dote no Oroku (土手のお六) in the middle and Sawamura Gennosuke II (沢村源之助) as Denbei (伝兵衛) on the right

Sakata no Kintoki (坂田金時) wrestling with a three-eyed <i>Mikoshi nyūdō</i> [見越入道]

1832 Kuniyoshi 3-eyed monster
Sakata no Kintoki (坂田金時) wrestling with a three-eyed Mikoshi nyūdō [見越入道]

Satō Shirō Tadanobu (佐藤四郎忠信) brandishing a <i>go</i> board [<i>Goban Tadanobu</i> - 碁盤忠信]

1832 Kuniyoshi suikoden
Satō Shirō Tadanobu (佐藤四郎忠信) brandishing a go board [Goban Tadanobu - 碁盤忠信]

Volume 3 of <i>The Picture Book of the Journey to the West</i> (<i>Ehon Saiyū zenden</i> - 画本西遊全伝)

1833 Taito II Ehon Saiyu Zende
Volume 3 of The Picture Book of the Journey to the West (Ehon Saiyū zenden - 画本西遊全伝)

Arashi Rikan II (嵐璃寛) as the <i>umakata</i> (packhorse driver - 馬方) Hachizō (八蔵) in the play <i>Keisei Somewake Tazuna</i> (けいせい染分總) or 'A Courtesan's Reins Dyed in Different Colors'

1834 Gyokushu Rikan II Hachizo
Arashi Rikan II (嵐璃寛) as the umakata (packhorse driver - 馬方) Hachizō (八蔵) in the play Keisei Somewake Tazuna (けいせい染分總) or 'A Courtesan's Reins Dyed in Different Colors'

Nakamura Utaemon III (中村歌右衛門) as the warrior Kumagai Jirō Naozane (熊谷次郎) and Arashi Rikan II as Kohagi (小萩無官太夫) at the Gojō Bridge.

1835 Hokuei diptych
Nakamura Utaemon III (中村歌右衛門) as the warrior Kumagai Jirō Naozane (熊谷次郎) and Arashi Rikan II as Kohagi (小萩無官太夫) at the Gojō Bridge.

Inuta Kobungo Yasuyori [犬田小文吾忬順] with the child Inue Shimbei Masashi (犬江親兵衛仁) fending off an attack - from the series <i>The One and Only Eight Dog History of Old Kyokutei, Best of Refined Authors</i> (<i>Kyokutei-ō seicho Hakkenshi zui-ichi</i> - 曲亭翁精著八犬士随一)

1835 Kuniyoshi eight dog heroe
Inuta Kobungo Yasuyori [犬田小文吾忬順] with the child Inue Shimbei Masashi (犬江親兵衛仁) fending off an attack - from the series The One and Only Eight Dog History of Old Kyokutei, Best of Refined Authors (Kyokutei-ō seicho Hakkenshi zui-ichi - 曲亭翁精著八犬士随一)

Arashi Rikan II (嵐璃寛) as Yakko no Koman (奴の小まん) standing and Bandō Hikosaburō IV (坂東彦三郎) as Hanjimono Kihei (はんじ判喜兵衛) in <i>Contest of Appearances, Quarrel at the Harbor</i> [<i>Sugata kuabe deiri no minato</i> 容競出入湊]

1835ca Hokushu actors
Arashi Rikan II (嵐璃寛) as Yakko no Koman (奴の小まん) standing and Bandō Hikosaburō IV (坂東彦三郎) as Hanjimono Kihei (はんじ判喜兵衛) in Contest of Appearances, Quarrel at the Harbor [Sugata kuabe deiri no minato 容競出入湊]

Keyamura Rokusuke (毛谷村六助) struggling with three kappa on a riverbank with another swimming in the river

1836 Kuniyoshi rokusuke kappa
Keyamura Rokusuke (毛谷村六助) struggling with three kappa on a riverbank with another swimming in the river

<i>Bijin sorōi</i> (Series of Beauties - 美人そろうい) - three separate <i>aizuri-e</i> in a series

1840-42 Kuniyoshi trip aizurie
Bijin sorōi (Series of Beauties - 美人そろうい) - three separate aizuri-e in a series

Volume 1 of <i>A Record of the Benevolent Government at Ōgawa</i> (<i>Ōkawa Jinsei-roku</i> - 大川仁政録)

1840ca Yoshiume Ookawa ehon 1
Volume 1 of A Record of the Benevolent Government at Ōgawa (Ōkawa Jinsei-roku - 大川仁政録)

Volume 3 of <i>A Record of the Benevolent Government at Ōgawa</i> (<i>Ōkawa Jinsei-roku</i>
- 大川仁政録)

1840ca Yoshiume Ookawa ehon 2
Volume 3 of A Record of the Benevolent Government at Ōgawa (Ōkawa Jinsei-roku - 大川仁政録)

Volume 2 of <i>A Record of the Benevolent Government at Ōgawa</i> <br>
(Ōkawa Jinsei-roku- 大川仁政録)

1840ca Yoshiume Ookawa ehon 3
Volume 2 of A Record of the Benevolent Government at Ōgawa
(Ōkawa Jinsei-roku- 大川仁政録)

Kataoka Gadō II (片岡我童) as Chishima Kanja Yoshihiro (千島冠者義広) in the play <i>Keisei Satsumagushi</i> [けいせい挟妻櫛] ('A Pledge of Affection and a Wife's Comb')

1841 Toyohide
Kataoka Gadō II (片岡我童) as Chishima Kanja Yoshihiro (千島冠者義広) in the play Keisei Satsumagushi [けいせい挟妻櫛] ('A Pledge of Affection and a Wife's Comb')

Ichikawa Ebizō V (市川海老蔵) as Daifukuya Soroku (大黒屋惣六) carrying a <i>tobaccobon</i> - left panel of a diptych from the play<i> Iwao no Hananami no Shiraishi</i> (岩藤浪白石)

1842 Kuniyoshi Ichikawa Kyuzo
Ichikawa Ebizō V (市川海老蔵) as Daifukuya Soroku (大黒屋惣六) carrying a tobaccobon - left panel of a diptych from the play Iwao no Hananami no Shiraishi (岩藤浪白石)

Keyamura Rokusuke (毛谷村六助) struggling with three <i>kappa</i> on a riverbank with another swimming in the river

1843-45 Kuniyoshi rokusuke kap
Keyamura Rokusuke (毛谷村六助) struggling with three kappa on a riverbank with another swimming in the river

"Zazenmame" from the series Daruma's buffonery (<i>Dōke Daruma asobi</i> - 道化達磨あそび?)

1847-48 Kuniyoshi daruma
"Zazenmame" from the series Daruma's buffonery (Dōke Daruma asobi - 道化達磨あそび?)

Left sheet of a diptych: Nakamura Tsuruzō I as Ryōshi Ganzō (猟師鴈蔵) and Seki Sanjūrō III as Yokoyama Daizō (横山大蔵); right sheet: Nakamura Utaemon IV as Otaka Tonomo (大高主殿) in the play 'A true account of Takagi Oriemon' (高木織右武実録)

1847-52 Kuniyoshi asakusa dipt
Left sheet of a diptych: Nakamura Tsuruzō I as Ryōshi Ganzō (猟師鴈蔵) and Seki Sanjūrō III as Yokoyama Daizō (横山大蔵); right sheet: Nakamura Utaemon IV as Otaka Tonomo (大高主殿) in the play 'A true account of Takagi Oriemon' (高木織右武実録)

Seki Sanjūrō III (right) as Yokoyama Daizō (横山大蔵) and Nakamura Utaemon IV (left) as Otaka Tonomo (大高主殿)

1847-52 Kuniyoshi asakusa duo
Seki Sanjūrō III (right) as Yokoyama Daizō (横山大蔵) and Nakamura Utaemon IV (left) as Otaka Tonomo (大高主殿)

Kawarazaki Gonjūrō I (河原崎権十郎) as the <i>rōnin</i> Yaegaki Monzō (浪人八重垣紋三) on the right and Sawamura Tosshō II (沢村訥升) as Kageyama Shigenojō (蔭山繁の丞)

1847-52ca Kunisada diptych
Kawarazaki Gonjūrō I (河原崎権十郎) as the rōnin Yaegaki Monzō (浪人八重垣紋三) on the right and Sawamura Tosshō II (沢村訥升) as Kageyama Shigenojō (蔭山繁の丞)

Sawamura Sōjūrō V (五代目沢村宗十郎) as Shiratsuka Jūemon (白柄十右衛門) - this is the left panel of a diptych in a scene from the play <i>Onoe Kikugorō Ichidai Banashi</i> (尾上梅寿一代噺)

1847 Kuniyoshi actor geese
Sawamura Sōjūrō V (五代目沢村宗十郎) as Shiratsuka Jūemon (白柄十右衛門) - this is the left panel of a diptych in a scene from the play Onoe Kikugorō Ichidai Banashi (尾上梅寿一代噺)

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