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Segawa Kikunojō III [瀬川菊之丞] as a woman crouching with a sword
1778 Shunsho kikunojo
Segawa Kikunojō III [瀬川菊之丞] as a woman crouching with a sword

Watōnai subduing a tiger
1780-90c Shunei tiger
Watōnai subduing a tiger

Ichimura Uzaemon IX [市村羽左衛門] as Soga no Gorō [曽我の五郎]
1780 Shunsho Hosoban
Ichimura Uzaemon IX [市村羽左衛門] as Soga no Gorō [曽我の五郎]

First Archery of the New Year (<i>Yumi hajime</i> - 弓はじめ) from the album <i>Saishiki mitsu no asa</i> (彩色美津朝) or 'Colors of the Triple Dawn'
1780c Kiyonaga archery
First Archery of the New Year (Yumi hajime - 弓はじめ) from the album Saishiki mitsu no asa (彩色美津朝) or 'Colors of the Triple Dawn'

<i>Shunga</i> of a couple on a balcony engaged in sex from <i>Koshoku zue juni-ko</i> (好色図会十二候) or 'Erotic Pictures for the 12 Months'
1780c Shuncho Balcony shunga.j
Shunga of a couple on a balcony engaged in sex from Koshoku zue juni-ko (好色図会十二候) or 'Erotic Pictures for the 12 Months'

Viewing Plum Blossoms
1780s Shuncho
Viewing Plum Blossoms

Courtesans parading under lanterns: Nishikido (錦戸) of the Chōjiya, <i>kamuro</i> Kikuno (きくの) and Utano (うたの) in the right panel; Nanakoshi (七こし) of the Ōgiya (扇や), <i>kamuro</i> Mineno (みねの) and Takane (たかね) in the left panel - These are the center and right hand panels of a triptych
1780s Shuncho beni girai
Courtesans parading under lanterns: Nishikido (錦戸) of the Chōjiya, kamuro Kikuno (きくの) and Utano (うたの) in the right panel; Nanakoshi (七こし) of the Ōgiya (扇や), kamuro Mineno (みねの) and Takane (たかね) in the left panel - These are the center and right hand panels of a triptych

Woman accompanying a child on horseback with a view of Mount Fuji in the distance - probably the central panel of a triptych
1780s Shuncho near Fuji
Woman accompanying a child on horseback with a view of Mount Fuji in the distance - probably the central panel of a triptych

Arashi Sangorō II
1780s Shunsho sangogo ii
Arashi Sangorō II

Taira no Koremori battling with the demon/woman in <i>Momijigari</i>
1780s Shunsho watanabe oni
Taira no Koremori battling with the demon/woman in Momijigari

Tomoe Gozen [巴御前] on horseback twisting off the head  of Onda no Hachirō Moroshige [御田八郎師重]
1784 Shunzan Katsukawa
Tomoe Gozen [巴御前] on horseback twisting off the head of Onda no Hachirō Moroshige [御田八郎師重]

The courtesan Nioteru (鳰照) of the Ogiya (おぎや) with two attendants, Namiji and Aō-mi - from a triptych of courtesans viewing cherry blossoms (<i>Naka no machi no sakura</i> - 仲之町の桜)
1785 Kiyonaga cherry.jpg
The courtesan Nioteru (鳰照) of the Ogiya (おぎや) with two attendants, Namiji and Aō-mi - from a triptych of courtesans viewing cherry blossoms (Naka no machi no sakura - 仲之町の桜)

Two girls relaxing with a dog
1785c Shuncho Hashira-e
Two girls relaxing with a dog

Two <i>bijin</i> visiting Shinobazu Pond at Ueno with a view of the Benten Shrine in the background
1787 Shuncho two ladies
Two bijin visiting Shinobazu Pond at Ueno with a view of the Benten Shrine in the background

Kintarō reading an <i>ehon</i> on the back of a bear accompanied by an <i>oni</i> holding an ax
1789 Kiyonaga kintaro bear.jpg
Kintarō reading an ehon on the back of a bear accompanied by an oni holding an ax

The dolphin-like <i>kinshachi</i> (金鯱) atop Nagoya Castle at sunset (or sunrise)
1790-1810c Sori surimono
The dolphin-like kinshachi (金鯱) atop Nagoya Castle at sunset (or sunrise)

Geisha and <i>wakashu</i> at Matsumoto tea house
1790 ca Eishi geisha & wakasha
Geisha and wakashu at Matsumoto tea house

The courtesan Hanaōgi (花扇) of the Ōgi House (扇屋内) - <i>Ōgiya uchi Hanaōgi </i>
1790 Eisui courtesan Beach
The courtesan Hanaōgi (花扇) of the Ōgi House (扇屋内) - Ōgiya uchi Hanaōgi

Asao Tamejūrō I [浅尾為十郎] operating a <i>bunraku</i> puppet
1790 Shunei
Asao Tamejūrō I [浅尾為十郎] operating a bunraku puppet

Rape scene (<i>shunga</i>)
1790ca Eiri shunga rape
Rape scene (shunga)

Courtesans in a brothel - left-hand panel from a triptych showing the forces of good and evil influences in the red-light district (遊郭善玉悪玉 - <i>Yūkaku zendama akudama</i>)
1790c Chōki onis
Courtesans in a brothel - left-hand panel from a triptych showing the forces of good and evil influences in the red-light district (遊郭善玉悪玉 - Yūkaku zendama akudama)

Two <i>bijin</i> on a walk at night holding an <i>odawara</i>-lantern
1790c Eiri pins 913
Two bijin on a walk at night holding an odawara-lantern

Two women reading a love letter - a parody of the Act 7 from the Chūshingura
1790c Eisho pins 879
Two women reading a love letter - a parody of the Act 7 from the Chūshingura

A courtesan with her <i>kamuro</i> possibly from the Matsubaya
1790c Eisho Pins 894
A courtesan with her kamuro possibly from the Matsubaya

 Shore battle between Taira no Atsumori and Kumagai Naozane
1790c Shunei musha-e
Shore battle between Taira no Atsumori and Kumagai Naozane

Act 8 of the <i>Chūshingura</i> (忠臣蔵八段目): 'The Wedding Journey' possibly through the pine forests of Miho
1790c Shunei outing
Act 8 of the Chūshingura (忠臣蔵八段目): 'The Wedding Journey' possibly through the pine forests of Miho

Sumō bout between Tanikaze (<i>Nishi Tanikaze</i> 西 谷風) and Onogawa (<i>Azuma Onogawa</i> - 東 小野川)
1790c Shunko tanikaze onogawa
Sumō bout between Tanikaze (Nishi Tanikaze 西 谷風) and Onogawa (Azuma Onogawa - 東 小野川)

A tea house waitress in front of an <i>oyasumi-dokoro</i> (御休所)  at the Sansha Daigongen (三社大権現) shrine
1790c Shunkyoku hashira-e
A tea house waitress in front of an oyasumi-dokoro (御休所) at the Sansha Daigongen (三社大権現) shrine

Woman smoking, seated man writing and small boy holding tray
1790c Toyohiro Tea
Woman smoking, seated man writing and small boy holding tray

Elegant women with attendants in a parody of a daimyō's procession - these are the center 3 of a 5 panel pentaptych
1790c Toyokuni I oiran and kam
Elegant women with attendants in a parody of a daimyō's procession - these are the center 3 of a 5 panel pentaptych

The right-hand panel of a triptych of <i>Women Masquerading as the Seven Gods of Good Fortune</i> (<i>Shichifukujin</i> - 七福神): Daikoku with a mallet and Benzaiten with a <i>biwa</i> and a young attendant
1790c Toyokuni musicians
The right-hand panel of a triptych of Women Masquerading as the Seven Gods of Good Fortune (Shichifukujin - 七福神): Daikoku with a mallet and Benzaiten with a biwa and a young attendant

Two <i>bijin</i> walking near a row of decorative lanterns at a festival
1790c Unknown pins 1036
Two bijin walking near a row of decorative lanterns at a festival

Okaru (おかる) and Yuranosuke (由良之助) in a scene from Chapter 7 of the Chūshingura
1790s Choki pins 846
Okaru (おかる) and Yuranosuke (由良之助) in a scene from Chapter 7 of the Chūshingura

<i>Among the Geisha of the New Yoshiwara</i> (新吉原芸者中) - one panel of a probable triptych
1790s Kikumaro oiran and kamur
Among the Geisha of the New Yoshiwara (新吉原芸者中) - one panel of a probable triptych

Nakamura Nakazō I [中村仲蔵] in a kabuki role
1790s Shunei actor
Nakamura Nakazō I [中村仲蔵] in a kabuki role

Sawamura Sojūrō III in the role of a samurai
1790s Shunei sojuro iii
Sawamura Sojūrō III in the role of a samurai

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Beach Museum of Art: Mike Lyon: Figuring it Out, (15)
Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 2 (5)
Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 3 (5)
Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 4 (5)
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