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Onoe Tamizō II (尾上多見蔵) as Danshichi Kurobei (団七九郎兵衛) in the play <i>Natsu Matsuri Naniwa Kagami</i> (夏祭浪花鑑) - "Summer" from the series "Pictures of the Four Seasons" (<i>mitate Shiki no ichi-natsu</i>)

1865-67 Yoshitaki Danshichi
Onoe Tamizō II (尾上多見蔵) as Danshichi Kurobei (団七九郎兵衛) in the play Natsu Matsuri Naniwa Kagami (夏祭浪花鑑) - "Summer" from the series "Pictures of the Four Seasons" (mitate Shiki no ichi-natsu)

Shozan (曙山), the poetry name of Sawamura Tanosuke III, from the series <i>Seven Popular Idols of the Present Day, a Parody of the Seven Sages of the Bamboo Grove</i> (<i>Chikurin shichikenjin no mitate</i> - 竹林七賢の見立, <i>Tōsei ryūkō shichi enjin</i> - 当時流光七艶人)

1862 Kunisada Tanosuke III
Shozan (曙山), the poetry name of Sawamura Tanosuke III, from the series Seven Popular Idols of the Present Day, a Parody of the Seven Sages of the Bamboo Grove (Chikurin shichikenjin no mitate - 竹林七賢の見立, Tōsei ryūkō shichi enjin - 当時流光七艶人)　　

Kakitsu (家橘) (poetry name of Ichimura Uzaemon XIII [市村羽左衛門]), from the series <i>Seven Popular Idols of the Present Day, a Parody of the Seven Sages of the Bamboo Grove</i> - <i>Chikurin shichikenjin no mitate</i> (竹林七賢の見立), <i>Tōsei ryūkō shichi enjin</i> (当時流光七艶人)

1862 Kunisada kakitsu
Kakitsu (家橘) (poetry name of Ichimura Uzaemon XIII [市村羽左衛門]), from the series Seven Popular Idols of the Present Day, a Parody of the Seven Sages of the Bamboo Grove - Chikurin shichikenjin no mitate (竹林七賢の見立), Tōsei ryūkō shichi enjin (当時流光七艶人) 　

Tiger Lily of Suzuka (Suzuka no oniyuri - すゞかの鬼百合): Ichikawa Kodanji IV (市川小団次) as Tennichibō Hōsaku (天日坊法策) from the series <i>Popular Matches for Thirty-six Selected Flowers</i> (<i>Tōsei mitate sanjūroku kasen</i> - 当盛見立三十六花撰)

1862 Kunisada Devil Mask.jpg
Tiger Lily of Suzuka (Suzuka no oniyuri - すゞかの鬼百合): Ichikawa Kodanji IV (市川小団次) as Tennichibō Hōsaku (天日坊法策) from the series Popular Matches for Thirty-six Selected Flowers (Tōsei mitate sanjūroku kasen - 当盛見立三十六花撰)　　

Bandō Shūka I as Danshichi’s wife Okaji (団七おかぢ) on the left and Seki Sanjurō III as the wife of Giheiji (義平次ばゞア) of Mikawa-cho in the play <i>Shinzō tsurifune kidan</i> [新造艣奇談?]

1852 Kuniyoshi hag
Bandō Shūka I as Danshichi’s wife Okaji (団七おかぢ) on the left and Seki Sanjurō III as the wife of Giheiji (義平次ばゞア) of Mikawa-cho in the play Shinzō tsurifune kidan [新造艣奇談?]

Onoe Kikugorō III (尾上菊五郎) as the ghost of Yasukata (<i>Yasukata no bōrei</i> - 安方ノ亡霊) from the series <i>Comparisons for Thirty-six Selected Poems</i> (<i>Mitate sanjūrokkasen no uchi</i> - 見立三十六歌撰之内)

1852-53 Kunisada 36 poets no 1
Onoe Kikugorō III (尾上菊五郎) as the ghost of Yasukata (Yasukata no bōrei - 安方ノ亡霊) from the series Comparisons for Thirty-six Selected Poems (Mitate sanjūrokkasen no uchi - 見立三十六歌撰之内)

The Cloth-fulling Jewel River in Settsu Province (<i>Settsu no kuni Tōi no Tamagawa</i> - 摂津国檮衣の玉川) from an untitled triptych series of <i>Six Jewel Rivers</i> (<i>Mu Tamagawa</i> - 六玉川)

1850c Kuniyoshi silk workers
The Cloth-fulling Jewel River in Settsu Province (Settsu no kuni Tōi no Tamagawa - 摂津国檮衣の玉川) from an untitled triptych series of Six Jewel Rivers (Mu Tamagawa - 六玉川)

<i>Plover Jewel River in Mutsu Province</i> (<i>Mutsu no kuni Chidori no Tamagawa</i> - 陸奥国千鳥のたま河)

1850c Kuniyoshi Buckets.jpg
Plover Jewel River in Mutsu Province (Mutsu no kuni Chidori no Tamagawa - 陸奥国千鳥のたま河)

Ryo Dōhin (呂洞賓, aka Lu Dongbin) from the series Sixteen Female Sennin Charming Creatures (<i>Enshi juroku josen</i> - 艶姿十六女仙)

1850 Kuniyoshi dragon screen
Ryo Dōhin (呂洞賓, aka Lu Dongbin) from the series Sixteen Female Sennin Charming Creatures (Enshi juroku josen - 艶姿十六女仙)

Nakamura Fukusuke I (中村福助) as Danshichi Kurobei (團七九郎兵衛) from the series <i>Matches for Thirty-six Selected Poems </i>(<i>Mitate sanjūrokkusen</i> - 見立三十六句撰) - the inset at the upper left is by Miyagi Gengyo

1850 Kunisada danshichi
Nakamura Fukusuke I (中村福助) as Danshichi Kurobei (團七九郎兵衛) from the series Matches for Thirty-six Selected Poems (Mitate sanjūrokkusen - 見立三十六句撰) - the inset at the upper left is by Miyagi Gengyo　　

The Cloth-fulling Jewel River in Settsu Province (<i>Settsu no kuni Tōi no Tamagawa</i> - 摂津国檮衣の玉川) from an untitled triptych series of the 'Six Jewel Rivers' (<i>Mu Tamagawa</i> - 六玉川)

1847 Kuniyoshi beating cloth
The Cloth-fulling Jewel River in Settsu Province (Settsu no kuni Tōi no Tamagawa - 摂津国檮衣の玉川) from an untitled triptych series of the 'Six Jewel Rivers' (Mu Tamagawa - 六玉川) 　

#88 (八十八番 - <i>hachijūhachiban</i>) from the series 'A Pictorial Commentary on One Hundred Poems by One Hundred Poets' - a <i>bijin</i> with a hand-drum paired with a book opened to a poem by the Imperial Princess Shokushi (式子内親王 - <i>Shokushi Naishinnō</i>)

1847 Kunisada drum poets
#88 (八十八番 - hachijūhachiban) from the series 'A Pictorial Commentary on One Hundred Poems by One Hundred Poets' - a bijin with a hand-drum paired with a book opened to a poem by the Imperial Princess Shokushi (式子内親王 - Shokushi Naishinnō)

The Ide Jewel River in Yamashiro Province (<i>Yamashiro no kuni Ide no Tamagawa</i> - 山城国井出の玉川) from an untitled triptych series of <i>Six Jewel Rivers</i> (<i>Mu Tamagawa</i> - 六玉川)

1847-52 Kuniyoshi yamashiro
The Ide Jewel River in Yamashiro Province (Yamashiro no kuni Ide no Tamagawa - 山城国井出の玉川) from an untitled triptych series of Six Jewel Rivers (Mu Tamagawa - 六玉川)

Imaginary performance (a <i>mitate</i>): actors as Sadatō's wife (<i>tsuma</i>) Sodehagi (貞任妻袖萩) played by Bandō Shūka I on the right, Ichikawa Danjūrō VIII as Abe Sadatō (阿部貞任) in the center, Ichimura Uzaemon XII as Hachiman Tarō Yoshiie (八幡太郎義家) on the left and with a supporting cast as a lion, tiger and elephant

1847-52 Kunisada actors animal
Imaginary performance (a mitate): actors as Sadatō's wife (tsuma) Sodehagi (貞任妻袖萩) played by Bandō Shūka I on the right, Ichikawa Danjūrō VIII as Abe Sadatō (阿部貞任) in the center, Ichimura Uzaemon XII as Hachiman Tarō Yoshiie (八幡太郎義家) on the left and with a supporting cast as a lion, tiger and elephant

<i>Mitate chōchingura</i>: <i>A Humorous Reworking, The Treasury of the Loyal Retainers</i> (見立挑灯蔵) - Act 11 (十一段目)

1847-48 Kuniyoshi mitate chush
Mitate chōchingura: A Humorous Reworking, The Treasury of the Loyal Retainers (見立挑灯蔵) - Act 11 (十一段目)

Ichikawa Omezō II [市川男女蔵] as Saitō Dōsan (斎藤道三) - right hand panel of a triptych from the play <i>Hana no yuki Takeda no kachidoki</i> (花眺雪武田勝凱)

1847-48 Kuniyoshi Koshiro
Ichikawa Omezō II [市川男女蔵] as Saitō Dōsan (斎藤道三) - right hand panel of a triptych from the play Hana no yuki Takeda no kachidoki (花眺雪武田勝凱)

The Horse (Uma - 午): Omiwa (おみわ) from the series <i>Selections for the Twelve Signs of the Zodiac</i> (<i>Mitate Jūnishi</i> - 美盾十二史)

1845c Kuniyoshi Omiwa.jpeg
The Horse (Uma - 午): Omiwa (おみわ) from the series Selections for the Twelve Signs of the Zodiac (Mitate Jūnishi - 美盾十二史)

Saint Mayouwa Says Indecisiveness Is Bad (<i>Mayou wa son ja</i>) from the series <i>Sixteen Wonderful Considerations of Profit</i> (<i>Myō densu jūroku rikan</i> - 妙でんす十六利勘迷者損者)

1843-46 Kuniyoshi bijin mirror
Saint Mayouwa Says Indecisiveness Is Bad (Mayou wa son ja) from the series Sixteen Wonderful Considerations of Profit (Myō densu jūroku rikan - 妙でんす十六利勘迷者損者)

Chūjō-hime (中将姫) from the series <i>Mirror of Women of Wisdom and Courage</i> (<i>Kenyū fujo kagami</i> - 賢勇婦女鏡)

1843-44 Kuniyoshi Chujo-hime
Chūjō-hime (中将姫) from the series Mirror of Women of Wisdom and Courage (Kenyū fujo kagami - 賢勇婦女鏡)

<i>Kihan</i> (Returning Sails - 帰帆)/<i>Mitate hakkei</i> (美盾八競) from the drama <i>Nunobiki-no-taki</i>

1842c Kuniyoshi pleasure boat
Kihan (Returning Sails - 帰帆)/Mitate hakkei (美盾八競) from the drama Nunobiki-no-taki

No. 2, Takejo, wife of Yamaoka Kakubei (<i>Yamaoka Kakubei no tsuma Takejo</i> 山岡覺平の妻竹女), from the series <i>Biographies of Loyal and Righteous Hearts</i> (<i>Seichu gishin den</i> 誠忠義心傳)

1840s Kuniyoshi weeping bijin
No. 2, Takejo, wife of Yamaoka Kakubei (Yamaoka Kakubei no tsuma Takejo 山岡覺平の妻竹女), from the series Biographies of Loyal and Righteous Hearts (Seichu gishin den 誠忠義心傳)

A <i>mitate</i> of one of the 'four social classes' of the <i>shinōkōshō</i> (士農工商) Seki Sanjūrō III as Katsura Matsunoshin (三蓋松之進) in the back right, Bandō Shuka I as Katsumi no Kohide (勝見の小秀) in the center and Nakamura Utaemon IV as Uraume no Kozue (裏梅の梢) from the play <i> O megumi ni Urūō Iwafuji </i> [恵閏初夏藤]

1840s Kuniyoshi Shino Kosho.jp
A mitate of one of the 'four social classes' of the shinōkōshō (士農工商) Seki Sanjūrō III as Katsura Matsunoshin (三蓋松之進) in the back right, Bandō Shuka I as Katsumi no Kohide (勝見の小秀) in the center and Nakamura Utaemon IV as Uraume no Kozue (裏梅の梢) from the play O megumi ni Urūō Iwafuji [恵閏初夏藤]

Seki Sanjūrō III (関三十郎) as Mikawaya no Giheiji no Obaa (三河町の義平次お婆ア) on the right and Bandō Shūka I (坂東しうか) as Danshichi Okaji (団七お梶) on the left

1840s Kuniyoshi hag lonely hou
Seki Sanjūrō III (関三十郎) as Mikawaya no Giheiji no Obaa (三河町の義平次お婆ア) on the right and Bandō Shūka I (坂東しうか) as Danshichi Okaji (団七お梶) on the left

Girls in a Parody of the Battle of Dan-no-ura (<i>Mitate musume Dan-no-ura</i> - 見立娘壇之浦) - left panel of a triptych

1840s Kunisada pomegranate
Girls in a Parody of the Battle of Dan-no-ura (Mitate musume Dan-no-ura - 見立娘壇之浦) - left panel of a triptych

Bandō Jutarō I (坂東寿太郎) as Lady Iwafuji (局岩ふじ) on the right, Nakamura Tomijūrō II (中村富十郎) as the Servant Ohatsu (お初), and Mimasu Gennosuke I (三枡源之助) as Chūrō Onoe (中老尾上) on the left in the play <i>Mirror Mountain: A Woman's Treasury of Loyalty</i> (Kagamiyama Kokyō no Nishikie)

1838 Sadanobu kanji triptych
Bandō Jutarō I (坂東寿太郎) as Lady Iwafuji (局岩ふじ) on the right, Nakamura Tomijūrō II (中村富十郎) as the Servant Ohatsu (お初), and Mimasu Gennosuke I (三枡源之助) as Chūrō Onoe (中老尾上) on the left in the play Mirror Mountain: A Woman's Treasury of Loyalty (Kagamiyama Kokyō no Nishikie)

Children's parade (子進) carrying a sacred float during the Tennō Festival (天王祭)

1830c Sadafusa Festival.jpg
Children's parade (子進) carrying a sacred float during the Tennō Festival (天王祭)

Ichikawa Hakuen II (市川白猿) as Katsuma Gengobei (right) and Nakamura Matsue III (中むら松江) as Kikuno (きくの) - a <i>mitate</i>

1830 Shigeharu yoko-e duo
Ichikawa Hakuen II (市川白猿) as Katsuma Gengobei (right) and Nakamura Matsue III (中むら松江) as Kikuno (きくの) - a mitate

Woman carrying umbrellas and a child running during a <i>Sudden shower at the Mimeguri Shrine</i> (三囲の夕立)

1830-33 Kunisada umbrella chil
Woman carrying umbrellas and a child running during a Sudden shower at the Mimeguri Shrine (三囲の夕立)

The puppet the beautiful woman is holding is in the form of Arashi Sanjūrō VII (嵐三十郎) as the <i>otokodate</i> Hotei Ichiemon (布袋市右衛門) from the series 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)

1828c Kuniyasu bunraku 4
The puppet the beautiful woman is holding is in the form of Arashi Sanjūrō VII (嵐三十郎) as the otokodate Hotei Ichiemon (布袋市右衛門) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

Puppet in the form of Matsumoto Kōshirō V (松本幸四郎) as the <i>otokodate</i> Kaminari Shōkurō (雷庄九郎) from the series 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)

1828c Kuniyasu bunraku 2
Puppet in the form of Matsumoto Kōshirō V (松本幸四郎) as the otokodate Kaminari Shōkurō (雷庄九郎) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

The puppet the <i>bijin</i> is holding is in the form of Bandō Mitsugorō III (坂東三津五郎) as the <i>otokodate</i> An no Heibei (安ノ平兵衛) from the series 'Five Chivalrous Men as Puppets' (<i>Mitate ningyō gonin otoko</i> - 見立人形五人男)

1828c Kuniyasu bunraku 1
The puppet the bijin is holding is in the form of Bandō Mitsugorō III (坂東三津五郎) as the otokodate An no Heibei (安ノ平兵衛) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

Iwai Hanshirō V (岩井半四郎) in the role of an onnagata in the snow - the left-hand panel of a triptych of a winter scene at Terashima - probably a mitate

1825 Kunisada Iwai Hanshiro
Iwai Hanshirō V (岩井半四郎) in the role of an onnagata in the snow - the left-hand panel of a triptych of a winter scene at Terashima - probably a mitate

Right to left: Nakamura Sankō I (中村三光) as the fox Kojorō (小女郎狐); Kataoka Nizaemon VII (片岡仁左衛門) as Sengoku Gonpei (仙石権平); Ichikawa Ebijūrō I (市川鰕十郎) as Takechi Samanosuke (武智左馬之助); Arashi Koroku IV (あらし小六) as Izumo no Okuni (いつものおくに); & Nakamura Utaemon III (中村歌右衛門) as Nagoya Sanza (名古屋山三)

1821 Hokushu pentaptych
Right to left: Nakamura Sankō I (中村三光) as the fox Kojorō (小女郎狐); Kataoka Nizaemon VII (片岡仁左衛門) as Sengoku Gonpei (仙石権平); Ichikawa Ebijūrō I (市川鰕十郎) as Takechi Samanosuke (武智左馬之助); Arashi Koroku IV (あらし小六) as Izumo no Okuni (いつものおくに); & Nakamura Utaemon III (中村歌右衛門) as Nagoya Sanza (名古屋山三)

Arashi Kitsusaburō I (嵐橘三郎) as Sasaki Takatsuna (佐々木高綱) in the play <i>Ōmi Genji Senjin Yakata</i> [近江源氏先陣館]

1821 Hokushu Kitsusaburo I
Arashi Kitsusaburō I (嵐橘三郎) as Sasaki Takatsuna (佐々木高綱) in the play Ōmi Genji Senjin Yakata [近江源氏先陣館]

Ichikawa Ebijūrō I as the servant Ranpei in the play <i>Yamatogana Ariwara Keizu</i> (倭仮名在原系図) - a <i>mitate</i>

1820c Hokushu Ebijuro
Ichikawa Ebijūrō I as the servant Ranpei in the play Yamatogana Ariwara Keizu (倭仮名在原系図) - a mitate

Sawamura Kunitarō II (沢村国太郎) in an unidentified, imagined <i>onnagata</i> role, a <i>mitate</i> - the right-hand panel of a four panel composition

1820ca Ashiyuki Kunitaro II
Sawamura Kunitarō II (沢村国太郎) in an unidentified, imagined onnagata role, a mitate - the right-hand panel of a four panel composition

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