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1828c Kuniyasu bunraku 4
The puppet the beautiful woman is holding is in the form of Arashi Sanjūrō VII (嵐三十郎) as the otokodate Hotei Ichiemon (布袋市右衛門) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

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1828c Kuniyasu bunraku 2
Puppet in the form of Matsumoto Kōshirō V (松本幸四郎) as the otokodate Kaminari Shōkurō (雷庄九郎) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

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1828c Kuniyasu bunraku 1
The puppet the bijin is holding is in the form of Bandō Mitsugorō III (坂東三津五郎) as the otokodate An no Heibei (安ノ平兵衛) from the series 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

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1825 Kunisada Iwai Hanshiro
Iwai Hanshirō V (岩井半四郎) in the role of an onnagata in the snow - the left-hand panel of a triptych of a winter scene at Terashima - probably a mitate

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1821 Hokushu pentaptych
Right to left: Nakamura Sankō I (中村三光) as the fox Kojorō (小女郎狐); Kataoka Nizaemon VII (片岡仁左衛門) as Sengoku Gonpei (仙石権平); Ichikawa Ebijūrō I (市川鰕十郎) as Takechi Samanosuke (武智左馬之助); Arashi Koroku IV (あらし小六) as Izumo no Okuni (いつものおくに); & Nakamura Utaemon III (中村歌右衛門) as Nagoya Sanza (名古屋山三)

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1821 Hokushu Kitsusaburo I
Arashi Kitsusaburō I (嵐橘三郎) as Sasaki Takatsuna (佐々木高綱) in the play Ōmi Genji Senjin Yakata [近江源氏先陣館]

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1820c Hokushu Ebijuro
Ichikawa Ebijūrō I as the servant Ranpei in the play Yamatogana Ariwara Keizu (倭仮名在原系図) - a mitate

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1820ca Ashiyuki Kunitaro II
Sawamura Kunitarō II (沢村国太郎) in an unidentified, imagined onnagata role, a mitate - the right-hand panel of a four panel composition

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1820-25 Kuniyasu suikoden Hana
Parody of Zhu Wu: the Divine Strategist "Shinkigunshi Shubu no mitate" (神機軍師朱武の見立) from "Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori" (通俗水滸伝豪傑百八人之一個) The hundred and eight heroes of the Suikoden "Ōgiya uchi Hanaōgi" The courtesan Hana-Ogi of the Ogiya house (扇屋内　花扇)

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1815c Kunisada Genji 39
The beauty Yūgiri (夕きり) in the rain - from the series Fan-tossing for the Elegant (Fūryū tōsenkyō - 風流投扇興)

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1800s Kunisada parody good for
Mitate of the Three Gods of Fortune in their Prime (全盛見立三福神) each represented by a famous courtesan - this is the left panel of a triptych showing Yoyoyama of the Matsubaya (松葉屋内代々山)

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