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century:
Ichimura Uzaemon IX [市村羽左衛門] as Soga no Gorō [曽我の五郎]
1780 Shunsho Hosoban
Ichimura Uzaemon IX [市村羽左衛門] as Soga no Gorō [曽我の五郎]

First Archery of the New Year (<i>Yumi hajime</i> - 弓はじめ) from the album <i>Saishiki mitsu no asa</i> (彩色美津朝) or 'Colors of the Triple Dawn'
1780c Kiyonaga archery
First Archery of the New Year (Yumi hajime - 弓はじめ) from the album Saishiki mitsu no asa (彩色美津朝) or 'Colors of the Triple Dawn'

<i>Shunga</i> of a couple on a balcony engaged in sex from <i>Koshoku zue juni-ko</i> (好色図会十二候) or 'Erotic Pictures for the 12 Months'
1780c Shuncho Balcony shunga.j
Shunga of a couple on a balcony engaged in sex from Koshoku zue juni-ko (好色図会十二候) or 'Erotic Pictures for the 12 Months'

Viewing Plum Blossoms
1780s Shuncho
Viewing Plum Blossoms

Courtesans parading under lanterns: Nishikido (錦戸) of the Chōjiya, <i>kamuro</i> Kikuno (きくの) and Utano (うたの) in the right panel; Nanakoshi (七こし) of the Ōgiya (扇や), <i>kamuro</i> Mineno (みねの) and Takane (たかね) in the left panel - These are the center and right hand panels of a triptych
1780s Shuncho beni girai
Courtesans parading under lanterns: Nishikido (錦戸) of the Chōjiya, kamuro Kikuno (きくの) and Utano (うたの) in the right panel; Nanakoshi (七こし) of the Ōgiya (扇や), kamuro Mineno (みねの) and Takane (たかね) in the left panel - These are the center and right hand panels of a triptych

Woman accompanying a child on horseback with a view of Mount Fuji in the distance - probably the central panel of a triptych
1780s Shuncho near Fuji
Woman accompanying a child on horseback with a view of Mount Fuji in the distance - probably the central panel of a triptych

Arashi Sangorō II
1780s Shunsho sangogo ii
Arashi Sangorō II

Taira no Koremori battling with the demon/woman in <i>Momijigari</i>
1780s Shunsho watanabe oni
Taira no Koremori battling with the demon/woman in Momijigari

Tomoe Gozen [巴御前] on horseback twisting off the head  of Onda no Hachirō Moroshige [御田八郎師重]
1784 Shunzan Katsukawa
Tomoe Gozen [巴御前] on horseback twisting off the head of Onda no Hachirō Moroshige [御田八郎師重]

The courtesan Nioteru (鳰照) of the Ogiya (おぎや) with two attendants, Namiji and Aō-mi - from a triptych of courtesans viewing cherry blossoms (<i>Naka no machi no sakura</i> - 仲之町の桜)
1785 Kiyonaga cherry.jpg
The courtesan Nioteru (鳰照) of the Ogiya (おぎや) with two attendants, Namiji and Aō-mi - from a triptych of courtesans viewing cherry blossoms (Naka no machi no sakura - 仲之町の桜)

Two girls relaxing with a dog
1785c Shuncho Hashira-e
Two girls relaxing with a dog

Two <i>bijin</i> visiting Shinobazu Pond at Ueno with a view of the Benten Shrine in the background
1787 Shuncho two ladies
Two bijin visiting Shinobazu Pond at Ueno with a view of the Benten Shrine in the background

Kintarō reading an <i>ehon</i> on the back of a bear accompanied by an <i>oni</i> holding an ax
1789 Kiyonaga kintaro bear.jpg
Kintarō reading an ehon on the back of a bear accompanied by an oni holding an ax

The dolphin-like <i>kinshachi</i> (金鯱) atop Nagoya Castle at sunset (or sunrise)
1790-1810c Sori surimono
The dolphin-like kinshachi (金鯱) atop Nagoya Castle at sunset (or sunrise)

Geisha and <i>wakashu</i> at Matsumoto tea house
1790 ca Eishi geisha & wakasha
Geisha and wakashu at Matsumoto tea house

The courtesan Hanaōgi (花扇) of the Ōgi House (扇屋内) - <i>Ōgiya uchi Hanaōgi </i>
1790 Eisui courtesan Beach
The courtesan Hanaōgi (花扇) of the Ōgi House (扇屋内) - Ōgiya uchi Hanaōgi

Asao Tamejūrō I [浅尾為十郎] operating a <i>bunraku</i> puppet
1790 Shunei
Asao Tamejūrō I [浅尾為十郎] operating a bunraku puppet

Rape scene (<i>shunga</i>)
1790ca Eiri shunga rape
Rape scene (shunga)

Courtesans in a brothel - left-hand panel from a triptych showing the forces of good and evil influences in the red-light district (遊郭善玉悪玉 - <i>Yūkaku zendama akudama</i>)
1790c Chōki onis
Courtesans in a brothel - left-hand panel from a triptych showing the forces of good and evil influences in the red-light district (遊郭善玉悪玉 - Yūkaku zendama akudama)

Two <i>bijin</i> on a walk at night holding an <i>odawara</i>-lantern
1790c Eiri pins 913
Two bijin on a walk at night holding an odawara-lantern

Two women reading a love letter - a parody of the Act 7 from the Chūshingura
1790c Eisho pins 879
Two women reading a love letter - a parody of the Act 7 from the Chūshingura

A courtesan with her <i>kamuro</i> possibly from the Matsubaya
1790c Eisho Pins 894
A courtesan with her kamuro possibly from the Matsubaya

Act 8 of the <i>Chūshingura</i> (忠臣蔵八段目): 'The Wedding Journey' possibly through the pine forests of Miho
1790c Shunei outing
Act 8 of the Chūshingura (忠臣蔵八段目): 'The Wedding Journey' possibly through the pine forests of Miho

Sumō bout between Tanikaze (<i>Nishi Tanikaze</i> 西 谷風) and Onogawa (<i>Azuma Onogawa</i> - 東 小野川)
1790c Shunko tanikaze onogawa
Sumō bout between Tanikaze (Nishi Tanikaze 西 谷風) and Onogawa (Azuma Onogawa - 東 小野川)

A tea house waitress in front of an <i>oyasumi-dokoro</i> (御休所)  at the Sansha Daigongen (三社大権現) shrine
1790c Shunkyoku hashira-e
A tea house waitress in front of an oyasumi-dokoro (御休所) at the Sansha Daigongen (三社大権現) shrine

Elegant women with attendants in a parody of a daimyō's procession - these are the center 3 of a 5 panel pentaptych
1790c Toyokuni I oiran and kam
Elegant women with attendants in a parody of a daimyō's procession - these are the center 3 of a 5 panel pentaptych

The right-hand panel of a triptych of <i>Women Masquerading as the Seven Gods of Good Fortune</i> (<i>Shichifukujin</i> - 七福神): Daikoku with a mallet and Benzaiten with a <i>biwa</i> and a young attendant
1790c Toyokuni musicians
The right-hand panel of a triptych of Women Masquerading as the Seven Gods of Good Fortune (Shichifukujin - 七福神): Daikoku with a mallet and Benzaiten with a biwa and a young attendant

Two <i>bijin</i> walking near a row of decorative lanterns at a festival
1790c Unknown pins 1036
Two bijin walking near a row of decorative lanterns at a festival

Okaru (おかる) and Yuranosuke (由良之助) in a scene from Chapter 7 of the Chūshingura
1790s Choki pins 846
Okaru (おかる) and Yuranosuke (由良之助) in a scene from Chapter 7 of the Chūshingura

Nakamura Nakazō I [中村仲蔵] in a kabuki role
1790s Shunei actor
Nakamura Nakazō I [中村仲蔵] in a kabuki role

Sawamura Sojūrō III in the role of a samurai
1790s Shunei sojuro iii
Sawamura Sojūrō III in the role of a samurai

The actor Ichikawa Yaozō III
1790s Shunei yaozo iii
The actor Ichikawa Yaozō III

Courtesans of Tsutaya Teahouse with near the Ryōgoku Bridge - one panel of a pentaptych
1790s Toyokuni tsutaya teahous
Courtesans of Tsutaya Teahouse with near the Ryōgoku Bridge - one panel of a pentaptych

Shunga print attributed to Utamaro, but possibly by Shunman
1790s Utamaro shunga
Shunga print attributed to Utamaro, but possibly by Shunman

<i>Seirō niwaka zensei asobi</i>: <i>Ni no kawari</i> (青楼仁和嘉全盛遊: 二ノ替り - 'Popular Entertainment at the Niwaka Festival, Yoshiwara: Second Transformation')
1791-94 ca Shunzan
Seirō niwaka zensei asobi: Ni no kawari (青楼仁和嘉全盛遊: 二ノ替り - 'Popular Entertainment at the Niwaka Festival, Yoshiwara: Second Transformation')

A Lucky New Year Dream of a Mouse Wedding (鼠の嫁入りの初夢)
1792ca Toyokuni I lucky new ye
A Lucky New Year Dream of a Mouse Wedding (鼠の嫁入りの初夢)

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Arashi Sampachi I (初代嵐三八: from 11/1782 to 10/1795 and again from 11/1797 to 2/1812) (1)
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Beach Museum of Art: Mike Lyon: Figuring it Out, (1)
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