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Courtesans in a brothel - left-hand panel from a triptych showing the forces of good and evil influences in the red-light district (遊郭善玉悪玉 - <i>Yūkaku zendama akudama</i>)
1790c Chōki onis
Courtesans in a brothel - left-hand panel from a triptych showing the forces of good and evil influences in the red-light district (遊郭善玉悪玉 - Yūkaku zendama akudama)

Two <i>bijin</i> on a walk at night holding an <i>odawara</i>-lantern
1790c Eiri pins 913
Two bijin on a walk at night holding an odawara-lantern

Two women reading a love letter - a parody of the Act 7 from the Chūshingura
1790c Eisho pins 879
Two women reading a love letter - a parody of the Act 7 from the Chūshingura

A courtesan with her <i>kamuro</i> possibly from the Matsubaya
1790c Eisho Pins 894
A courtesan with her kamuro possibly from the Matsubaya

Sumō bout between Tanikaze (<i>Nishi Tanikaze</i> 西 谷風) and Onogawa (<i>Azuma Onogawa</i> - 東 小野川)
1790c Shunko tanikaze onogawa
Sumō bout between Tanikaze (Nishi Tanikaze 西 谷風) and Onogawa (Azuma Onogawa - 東 小野川)

A tea house waitress in front of an <i>oyasumi-dokoro</i> (御休所)  at the Sansha Daigongen (三社大権現) shrine
1790c Shunkyoku hashira-e
A tea house waitress in front of an oyasumi-dokoro (御休所) at the Sansha Daigongen (三社大権現) shrine

Woman smoking, seated man writing and small boy holding tray
1790c Toyohiro Tea
Woman smoking, seated man writing and small boy holding tray

The right-hand panel of a triptych of <i>Women Masquerading as the Seven Gods of Good Fortune</i> (<i>Shichifukujin</i> - 七福神): Daikoku with a mallet and Benzaiten with a <i>biwa</i> and a young attendant
1790c Toyokuni musicians
The right-hand panel of a triptych of Women Masquerading as the Seven Gods of Good Fortune (Shichifukujin - 七福神): Daikoku with a mallet and Benzaiten with a biwa and a young attendant

Two <i>bijin</i> walking near a row of decorative lanterns at a festival
1790c Unknown pins 1036
Two bijin walking near a row of decorative lanterns at a festival

Okaru (おかる) and Yuranosuke (由良之助) in a scene from Chapter 7 of the Chūshingura
1790s Choki pins 846
Okaru (おかる) and Yuranosuke (由良之助) in a scene from Chapter 7 of the Chūshingura

Nakamura Nakazō I [中村仲蔵] in a kabuki role
1790s Shunei actor
Nakamura Nakazō I [中村仲蔵] in a kabuki role

Sawamura Sojūrō III in the role of a samurai
1790s Shunei sojuro iii
Sawamura Sojūrō III in the role of a samurai

The actor Ichikawa Yaozō III
1790s Shunei yaozo iii
The actor Ichikawa Yaozō III

Courtesans of Tsutaya Teahouse with near the Ryōgoku Bridge - one panel of a pentaptych
1790s Toyokuni tsutaya teahous
Courtesans of Tsutaya Teahouse with near the Ryōgoku Bridge - one panel of a pentaptych

Osagawa Tsuneyo II (小佐川常世) in an unidentified role
1790s Toyomaru tsunego ii
Osagawa Tsuneyo II (小佐川常世) in an unidentified role

Shunga print attributed to Utamaro, but possibly by Shunman
1790s Utamaro shunga
Shunga print attributed to Utamaro, but possibly by Shunman

<i>Seirō niwaka zensei asobi</i>: <i>Ni no kawari</i> (青楼仁和嘉全盛遊: 二ノ替り - 'Popular Entertainment at the Niwaka Festival, Yoshiwara: Second Transformation')
1791-94 ca Shunzan
Seirō niwaka zensei asobi: Ni no kawari (青楼仁和嘉全盛遊: 二ノ替り - 'Popular Entertainment at the Niwaka Festival, Yoshiwara: Second Transformation')

A Lucky New Year Dream of a Mouse Wedding (鼠の嫁入りの初夢)
1792ca Toyokuni I lucky new ye
A Lucky New Year Dream of a Mouse Wedding (鼠の嫁入りの初夢)

Yoshitsune (源義經公) and Benkei (武蔵坊弁慶) and the signboard warning to Kumagai
1793c Shuntei Yoshitsune
Yoshitsune (源義經公) and Benkei (武蔵坊弁慶) and the signboard warning to Kumagai

Sawamura Gennosuke I [初代沢村源之助] with two <i>bijin</i> gathering pine branches or a New Year's celebration from the series 十二組の内 (<i>Jūni kumi no uchi</i>) - center panel of a triptych
1795-1800c Toyokuni river pine
Sawamura Gennosuke I [初代沢村源之助] with two bijin gathering pine branches or a New Year's celebration from the series 十二組の内 (Jūni kumi no uchi) - center panel of a triptych

Hinazuru of the Chōjiya (丁子屋雛鶴) from the series <i>Beauties of the Yoshiwara as Six Floral Immortals</i> (<i>Seirō bijin Rokkasen</i> - 青楼美人六花仙)
1795c Eishi 01
Hinazuru of the Chōjiya (丁子屋雛鶴) from the series Beauties of the Yoshiwara as Six Floral Immortals (Seirō bijin Rokkasen - 青楼美人六花仙)

Party on the <i>daifuku</i> (大福) pleasure boat
1795c Eishi Boat ride
Party on the daifuku (大福) pleasure boat

Kisegawa of the Matsubaya House (松葉屋喜瀬川) from the series <i>Six Beautiful Flowers of the Gay Quarters</i> (<i>Chaya Bijin Rokkasen</i> - 青楼美人六歌仙)
1795c Eishi kisegawa
Kisegawa of the Matsubaya House (松葉屋喜瀬川) from the series Six Beautiful Flowers of the Gay Quarters (Chaya Bijin Rokkasen - 青楼美人六歌仙)

The fan seller - pillar print
1795c Masanobu fan vendor
The fan seller - pillar print

Farm wives relaxing (<i>Ikou nōfu</i> - 憩う農婦) from the series <i>Kyōka-iri aiban fūzoku zu</i> (狂歌入間判風俗図)
1795c Utamaro Bijin Farmers
Farm wives relaxing (Ikou nōfu - 憩う農婦) from the series Kyōka-iri aiban fūzoku zu (狂歌入間判風俗図)

Act IX: The Treasury of the Loyal Retainers (忠臣蔵 九段目)
1795c Utamaro P165
Act IX: The Treasury of the Loyal Retainers (忠臣蔵 九段目)

Matsumoto Kōshirō V (松本幸四郎) and Arashi Sampachi I (嵐三八)
1796ca Toyokuni sumo
Matsumoto Kōshirō V (松本幸四郎) and Arashi Sampachi I (嵐三八)

Upper left panel of a 6 panel piece: <i>On top of and beneath Ryōgoku Bridge </i> (<i>Ryōgokubashi no ue, shita</i> 両国橋  上下)
1798c Utamaro 01
Upper left panel of a 6 panel piece: On top of and beneath Ryōgoku Bridge (Ryōgokubashi no ue, shita 両国橋 上下)

<i>7 Imaginary Chinese Creatures</i> (<i>shōjō</i>)<i> in a Drunken State</i> (<i>Shichi-nin shōjō zuburoku no zu</i> - 七人猩々酩酊之図) - left panel of a triptych
1798c Utamaro 02
7 Imaginary Chinese Creatures (shōjō) in a Drunken State (Shichi-nin shōjō zuburoku no zu - 七人猩々酩酊之図) - left panel of a triptych

Married man and widow with a smoking set beside them from the series <i>Unraveling the Threads of Desire</i> (<i>Negai no ito-guchi</i> - ねがいの糸口)
1799 Utamaro Unraveling Thread
Married man and widow with a smoking set beside them from the series Unraveling the Threads of Desire (Negai no ito-guchi - ねがいの糸口)

Pleasure boating on the Sumida with a scoop-net (<i>yotsude ami</i> - 四つ手網) - left panel of triptych
1800-01 Utamaro BW
Pleasure boating on the Sumida with a scoop-net (yotsude ami - 四つ手網) - left panel of triptych

Young couple - youth with courtesan
1800-05c Moronobu couple
Young couple - youth with courtesan

A traveling <i>bijin</i> on horseback pausing for a smoke
1800-10c Tsukimaro horse ride
A traveling bijin on horseback pausing for a smoke

Warriors Struggling in a Storm
1800 Shuntei lightning
Warriors Struggling in a Storm

Ichikawa Yaozō IV (市川八百蔵) as Omuraya Denbei (伝兵衛) and Iwai Kumesaburō I (岩井粂三郎) as the courtesan Oshun (おしゅん) in the play <i>Keisei byōbu ura</i>  (A Courtesan: a folding screen and the seashore) (けいせい屏風浦)
1800 Toyokuni I ichikawa yaozo
Ichikawa Yaozō IV (市川八百蔵) as Omuraya Denbei (伝兵衛) and Iwai Kumesaburō I (岩井粂三郎) as the courtesan Oshun (おしゅん) in the play Keisei byōbu ura (A Courtesan: a folding screen and the seashore) (けいせい屏風浦)

Pillar print of a Okaru [おかる] looking down at Ōboshi Yuranosuke [大星由良之助] - from the ‘Gion Ichiriki Jaya’ scene (段目) VII of the <i>Kanadehon Chūshingura</i> ('Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵)
1800c Toyokuni I Pillar
Pillar print of a Okaru [おかる] looking down at Ōboshi Yuranosuke [大星由良之助] - from the ‘Gion Ichiriki Jaya’ scene (段目) VII of the Kanadehon Chūshingura ('Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵)

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Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 2 (3)
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