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3 figures in an actor's debut (役者地顔見たて) from the series <i>The Floating World Chūshingura</i> (<i>Ukiyo Chūshingura</i> - 浮世忠臣蔵) - the second act (二段目)

1800-10 Toyokuni I Crane
3 figures in an actor's debut (役者地顔見たて) from the series The Floating World Chūshingura (Ukiyo Chūshingura - 浮世忠臣蔵) - the second act (二段目)

After the bath - left panel of a triptych

1815c Toyokuni I Bath Dry.jpg
After the bath - left panel of a triptych

A <i>mitate</i> of Komachi with an umbrella praying for rain (<i>Amagoi Komachi</i> - 雨こひ小まち) from the series <i>Modern Girls as the Seven Komachi</i> (<i>Imayō musume Nana Komachi</i> - 今やう娘七小町)

1810s Toyokuni umbrella.jpg
A mitate of Komachi with an umbrella praying for rain (Amagoi Komachi - 雨こひ小まち) from the series Modern Girls as the Seven Komachi (Imayō musume Nana Komachi - 今やう娘七小町)

An evening stroll along the Sumida River near the Ryōgoku Bridge <i>Tōto Ryōgoku yūryō no ga</i> (東都両国夕涼の画)

1818 Kunisada bijin and sumo
An evening stroll along the Sumida River near the Ryōgoku Bridge Tōto Ryōgoku yūryō no ga (東都両国夕涼の画)

An <i>oiran</i> holding a bouquet of gift-wrapped chrysanthemums - Zodiac sign of the monkey - the 9th month

1810c Toyokuni chrysanthemums.
An oiran holding a bouquet of gift-wrapped chrysanthemums - Zodiac sign of the monkey - the 9th month

An oiran lighting an andon - from the series <i>Richly Colored Contemporary Fashions</i> (<i>Gokusaishiki jisei shitate</i> - 極彩色時世仕立)

1815c Kunisada lamp light
An oiran lighting an andon - from the series Richly Colored Contemporary Fashions (Gokusaishiki jisei shitate - 極彩色時世仕立)

A Picture of Great Success (<i>Shibai Daihanjō no zu</i>) - 芝居大繁昌之図

1817c Toyokuni kabuki triptych
A Picture of Great Success (Shibai Daihanjō no zu) - 芝居大繁昌之図

Arashi Kichisaburō II (嵐吉三郎) as Funakoshi Jūemon (船こし重右衛門) in <i>Yaegasumi Naniwa no hamaogi</i> ('Eightfold Reeds Along the Seashore: Mist at Osaka')

1813 Shunkyo Kichisaburo II
Arashi Kichisaburō II (嵐吉三郎) as Funakoshi Jūemon (船こし重右衛門) in Yaegasumi Naniwa no hamaogi ('Eightfold Reeds Along the Seashore: Mist at Osaka')

Arashi Koroku IV (あらし小六) as Omiwa [おみわ] at the base of a flight of stairs - the left-hand panel of a diptych from the play <i>Imoseyama Onna Teikin</i>[妹背山婦女庭訓 - <i>Mount Imo and Mount Se:An Exemplary Tale of Womanly</i>]

1825c Yoshikuni yellow stairs
Arashi Koroku IV (あらし小六) as Omiwa [おみわ] at the base of a flight of stairs - the left-hand panel of a diptych from the play Imoseyama Onna Teikin[妹背山婦女庭訓 - Mount Imo and Mount Se:An Exemplary Tale of Womanly]

Asao Kigan (浅尾鬼丸) as Shibukawa Tōma (渋川藤馬) left-hand panel of a diptych - from the play <i>Shin Usuyuki monogatari</i>

1816c Kunihira asao onimaru
Asao Kigan (浅尾鬼丸) as Shibukawa Tōma (渋川藤馬) left-hand panel of a diptych - from the play Shin Usuyuki monogatari

Asao Yūjirō I (浅尾勇次郎) holding an umbrella in the play <i>Tsuma Gasane Uwasa ni Kikuzuki</i> - left panel of a diptych

1813c Kunisada Asao Yujiro
Asao Yūjirō I (浅尾勇次郎) holding an umbrella in the play Tsuma Gasane Uwasa ni Kikuzuki - left panel of a diptych

A traveling <i>bijin</i> on horseback pausing for a smoke

1800-10c Tsukimaro horse ride
A traveling bijin on horseback pausing for a smoke

A woman breast feeding a child while putting her hair up - from the series <i>Richly Colored Contemporary Fashions</i> (<i>Gokusaishiki jisei shitate</i> - 極彩色時世仕立)

1819 Kunisada Nursing.jpg
A woman breast feeding a child while putting her hair up - from the series Richly Colored Contemporary Fashions (Gokusaishiki jisei shitate - 極彩色時世仕立)

Bandō Hikosaburō III (坂東彦三郎) as Yuranosuke (由良之介) standing and Sawamura Tanosuke II (沢村田之助) as Okaru (おかる) in the play <i>Kanadehon Chūshingura</i> ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵]

1811 Toyokuni I bando hikosabu
Bandō Hikosaburō III (坂東彦三郎) as Yuranosuke (由良之介) standing and Sawamura Tanosuke II (沢村田之助) as Okaru (おかる) in the play Kanadehon Chūshingura ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵]

Bandō Mitsugorō (坂東三津五郎) as the <i>otokodate</i> (Ume) Yoshibei (由兵衛) from the play 'The Gion Festival Chronicle of Faith' (<i>Gion Sairei Shinkōki</i> - 祇園祭礼信仰記) - this is number 5 (五) from this series

1810c Toyokuni I mitsugoro
Bandō Mitsugorō (坂東三津五郎) as the otokodate (Ume) Yoshibei (由兵衛) from the play 'The Gion Festival Chronicle of Faith' (Gion Sairei Shinkōki - 祇園祭礼信仰記) - this is number 5 (五) from this series

Bandō Mitsugorō III (坂東三津五郎) as an Edo magician (手妻江戸蔵) - performing the linking rings as 金は打

1818 Toyokuni I
Bandō Mitsugorō III (坂東三津五郎) as an Edo magician (手妻江戸蔵) - performing the linking rings as 金は打

Bandō Mitsugorō III (坂東三津五郎) as Mitsugatsuji (三ヶつ地) Tsurunosuke (鶴之介) from the play <i>Sugata no Hana Azuma no Date-zome</i> [姿花江戸伊達染]

1811 Toyokuni mitsugoro III
Bandō Mitsugorō III (坂東三津五郎) as Mitsugatsuji (三ヶつ地) Tsurunosuke (鶴之介) from the play Sugata no Hana Azuma no Date-zome [姿花江戸伊達染]

Bandō Mitsugorō III (坂東三津五郎) as Nuregami Chōgorō (濡髪長五郎) in the play <i>Futatsu-chōchō Kuruwa Nikki</i> - the right-hand panel of a three panel composition

1823 Toyokuni I Bando Mitsugor
Bandō Mitsugorō III (坂東三津五郎) as Nuregami Chōgorō (濡髪長五郎) in the play Futatsu-chōchō Kuruwa Nikki - the right-hand panel of a three panel composition

Cherry blossoms in blooming in the Yoshiwara (<i>Yoshiwara no hanazakari</i> - 吉原の花盛) from the series 'Eight Views of Famous Places in the Eastern Capital' (<i>Tōto meisho hakkei</i> - 東都名所八景)

1810c Eizan Bijin.jpg
Cherry blossoms in blooming in the Yoshiwara (Yoshiwara no hanazakari - 吉原の花盛) from the series 'Eight Views of Famous Places in the Eastern Capital' (Tōto meisho hakkei - 東都名所八景)

Diptych of Bandō Mitsugorō III (坂東三津五郎) as Nagoya Sanzaburō (名古屋山三) on the left and Matsumoto Kōshirō V (松本幸四郎) as Fuwa Banzaemon (不破伴左衛門) on the right in the play <i>Fuwa Nagoya Yuki no Tategasa</i> (不破名護屋雪棹)

1816 Kunisada Bando Mitsugoro
Diptych of Bandō Mitsugorō III (坂東三津五郎) as Nagoya Sanzaburō (名古屋山三) on the left and Matsumoto Kōshirō V (松本幸四郎) as Fuwa Banzaemon (不破伴左衛門) on the right in the play Fuwa Nagoya Yuki no Tategasa (不破名護屋雪棹)

Early kabuki diptych of Bandō Mitsugorō III (坂東三津五郎) on the left and Onoe Kikugorō III (尾上菊五郎) on the right

1816 Toyokuni I actor diptychg
Early kabuki diptych of Bandō Mitsugorō III (坂東三津五郎) on the left and Onoe Kikugorō III (尾上菊五郎) on the right

From an illustrated book on filial piety, the <i>Eiri kōkyō</i> (絵入孝経) by Kitao Masayoshi

1700s Chushingura.jpg
From an illustrated book on filial piety, the Eiri kōkyō (絵入孝経) by Kitao Masayoshi

From a set of twelve: <i>Selections from the Brocade Quarter</i> (<i>E-awasa kingaishō</i>)

1815 Eizan shunga oban
From a set of twelve: Selections from the Brocade Quarter (E-awasa kingaishō)

<i>Bijin</i> carrying a <i>janome-gasa</i> or snake's eye umbrella with 3 fan motifs, one with the Zodiac sign of the tiger - one panel of a triptych? - <i>Yayoi</i> (弥生), the 3rd month

1815-20c Toyokuni parasol
Bijin carrying a janome-gasa or snake's eye umbrella with 3 fan motifs, one with the Zodiac sign of the tiger - one panel of a triptych? - Yayoi (弥生), the 3rd month

Ichikawa Danjūrō VII (七代目市川團十郎) as 町がゝへうぶげの金太郞 - accompanied by a live goat

1820c Toyokuni danjuri goat
Ichikawa Danjūrō VII (七代目市川團十郎) as 町がゝへうぶげの金太郞 - accompanied by a live goat

Ichikawa Dannosuke III (市川団之助) on the left, Iwai Hanshirō V (岩井半四郎) in the center, and Segawa Kikunojō V (瀬川菊之丞) on the right - <i>onnagata</i> coming from or going to a women's bathhouse (女中湯) - 3 of 5 panels

1821 Toyokuni II ladies
Ichikawa Dannosuke III (市川団之助) on the left, Iwai Hanshirō V (岩井半四郎) in the center, and Segawa Kikunojō V (瀬川菊之丞) on the right - onnagata coming from or going to a women's bathhouse (女中湯) - 3 of 5 panels

Ichikawa Denzō I (市川傳蔵) as Ōboshi Rikiya (大ぼし力弥) in Kanadehon Chūshingura ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵]

1814 Kunisada crepe Chushingur
Ichikawa Denzō I (市川傳蔵) as Ōboshi Rikiya (大ぼし力弥) in Kanadehon Chūshingura ['Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵]

Ichikawa Ebijūrō I (市川鰕十郎) as Koshina Danjō (越名弾正) and Nakayama Yoshio I (中山よしを) as Koshina's wife Irie (Koshina tsuma Irie -女房入江)

1817 Hokushu yoshio ebijuro
Ichikawa Ebijūrō I (市川鰕十郎) as Koshina Danjō (越名弾正) and Nakayama Yoshio I (中山よしを) as Koshina's wife Irie (Koshina tsuma Irie -女房入江)

<i>Hashira-e</i> of two elegant courtesans

1820c Eizan Kakemono
Hashira-e of two elegant courtesans

<i>Kakemono of an <i>oiran</i> in a black </i>uchikake decorated with a dragon in a night sky

1810c Shunsen lineless
Kakemono of an oiran in a black uchikake decorated with a dragon in a night sky

<i>Kappazuri-e</i>: from right to left a member of the Asao clan (浅尾奥治?); Ichikawa Omezō I (市川男女蔵); Kataoka Ichizō I (片岡市蔵?); Sawamura Gennosuke I (澤村源之助); a member of the Matsui clan (松???); a member of the Nakayama Monjūrō (中山紋十郎) ; and Arashi Sankatsu (嵐三勝) in the female role

1806ca Ryukosai hextaptych
Kappazuri-e: from right to left a member of the Asao clan (浅尾奥治?); Ichikawa Omezō I (市川男女蔵); Kataoka Ichizō I (片岡市蔵?); Sawamura Gennosuke I (澤村源之助); a member of the Matsui clan (松???); a member of the Nakayama Monjūrō (中山紋十郎) ; and Arashi Sankatsu (嵐三勝) in the female role

<i>Surimono</i> parody of the armor-pulling scene, the <i>kusazuribiki</i> [草摺引], of the Soga brothers tale: Asahina and a courtesan holding a spindle represented by <i>bunraku</i> puppets

1815c Eisen surimono
Surimono parody of the armor-pulling scene, the kusazuribiki [草摺引], of the Soga brothers tale: Asahina and a courtesan holding a spindle represented by bunraku puppets

<i>Takemoto</i>; <i>Kokusenya</i> - Watōnai with a chanter of the Takemoto school

1818 Hokkei watonai w chanter
Takemoto; Kokusenya - Watōnai with a chanter of the Takemoto school

Iwai Hanshirō V (岩井半四郎) as Seitaka Dōji (せいたかの童子 [制吒迦童子]) from <i>Yuki mo Yoshino Kigoto no Kaomise</i> (雪芳野来入顔鏡 - ゆきもよしのきごとのかおみせ)

1812c Kunisada Hanshiro V
Iwai Hanshirō V (岩井半四郎) as Seitaka Dōji (せいたかの童子 [制吒迦童子]) from Yuki mo Yoshino Kigoto no Kaomise (雪芳野来入顔鏡 - ゆきもよしのきごとのかおみせ)

Iwai Hanshirō V (岩井半四郎), Iwai Kumesaburō II (岩井粂三郎) and Tokiwazu Komojidayū (常盤津小文字太夫) visiting the Sensōji [浅草寺], a temple at Asakusa - center panel of a triptych

1813 Toyokuni sensoji
Iwai Hanshirō V (岩井半四郎), Iwai Kumesaburō II (岩井粂三郎) and Tokiwazu Komojidayū (常盤津小文字太夫) visiting the Sensōji [浅草寺], a temple at Asakusa - center panel of a triptych

Kaguya-hime [輝夜姫] (the princess born from the bamboo) and Taketori-okina [竹取翁]

1819 Gakutei honchoren.jpg
Kaguya-hime [輝夜姫] (the princess born from the bamboo) and Taketori-okina [竹取翁]

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Arashi Kichisaburō II (二代目嵐吉三郎: 1/1784 to 12/1820) (2)

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