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Yu Kinrō and Shu Jushō (朱壽昌) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 20-21
Yu Kinrō and Shu Jushō (朱壽昌) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Young samurai on horseback

1750s Masanobu horse dandy
Young samurai on horseback

Young man on a horse being watched by two girls from behind a window

1770ca Koryusai horse lovers
Young man on a horse being watched by two girls from behind a window

Yorimitsu Tries to Capture Hakamadare by Destroying His Magic (<i>Kijutsu o yabutte Yorimitsu Hakamadare o karamen to su</i> - 破奇術頼光袴垂為搦)

1860c Yoshitsuya serpent
Yorimitsu Tries to Capture Hakamadare by Destroying His Magic (Kijutsu o yabutte Yorimitsu Hakamadare o karamen to su - 破奇術頼光袴垂為搦)

Yorimitsu tries to capture Hakamadare by destroying his magic (<i>Kijutsu o yabutte Yorimitsu Hakamadare o karamen to su</i> - 破奇術頼光袴垂為搦)

1853 Yoshitsuya serpent
Yorimitsu tries to capture Hakamadare by destroying his magic (Kijutsu o yabutte Yorimitsu Hakamadare o karamen to su - 破奇術頼光袴垂為搦)

Yōkyō (揚香) on the left and Ōhō (王裒) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 06-07
Yōkyō (揚香) on the left and Ōhō (王裒) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Yabuhara (薮原): #36, Sue Harukata (陶晴賢) from the series <i>Sixty-nine Stations of the Kisokaidō Road</i> (<i>Kisokaidō rokujūkyū tsugi no uchi</i> - 木曾街道六十九次之内)

1853 Kuniyoshi yabuhara
Yabuhara (薮原): #36, Sue Harukata (陶晴賢) from the series Sixty-nine Stations of the Kisokaidō Road (Kisokaidō rokujūkyū tsugi no uchi - 木曾街道六十九次之内)

Xuande (aka Gentoku - 玄徳) plunging into the Tan gorge - from the series <i>Heroes of the Popular Romance of the Three Kingdoms</i> (<i>Tsūzoku Sangokushi eiyū no ichinin</i> - 通俗三国志英雄之壹人)

1836 Kuniyoshi gentoku
Xuande (aka Gentoku - 玄徳) plunging into the Tan gorge - from the series Heroes of the Popular Romance of the Three Kingdoms (Tsūzoku Sangokushi eiyū no ichinin - 通俗三国志英雄之壹人)

Woman Holding a Child Before a Daruma Kite - center panel of a triptych of <i>The Five Festivals - Mutsuki</i> (五節句之内睦月)

1847-52c Kuniyoshi daruma kite
Woman Holding a Child Before a Daruma Kite - center panel of a triptych of The Five Festivals - Mutsuki (五節句之内睦月)

Wife of Kawase (Kawase sore no tsuma - 河瀬某の妻), No. 18 (第十八) from the Yamato Newspaper series <i>Biographies of People Today</i> (<i>Kinsei Jimbutsu Shi</i> - 近世人物誌)

1888 Yoshitoshi soiso omi
Wife of Kawase (Kawase sore no tsuma - 河瀬某の妻), No. 18 (第十八) from the Yamato Newspaper series Biographies of People Today (Kinsei Jimbutsu Shi - 近世人物誌)

Volume from <i>Picture Book of the Taiko-ki</i> (<i>Ehon Taikō-ki</i> 絵本太閤記)

1840s Kuniyoshi Taikoki ehon
Volume from Picture Book of the Taiko-ki (Ehon Taikō-ki 絵本太閤記)

Volume 5 of <i>Gaten Tsūkō</i> [画典通考]

1728 Morikuni stories V5
Volume 5 of Gaten Tsūkō [画典通考]

Volume 4 of <i>Gaten Tsūkō</i> [画典通考]

1728 Morikuni stories V4
Volume 4 of Gaten Tsūkō [画典通考]

Volume 3 of <i>Gaten Tsūkō</i> [画典通考]

1728 Morikuni stories V3
Volume 3 of Gaten Tsūkō [画典通考]

Volume 3 of <i>Gaten Tsūkō</i> [画典通考]

1728 Morikuni stories V2
Volume 3 of Gaten Tsūkō [画典通考]

Volume 3 of <i>A Record of the Benevolent Government at Ōgawa</i> (<i>Ōkawa Jinsei-roku</i>
- 大川仁政録)

1840ca Yoshiume Ookawa ehon 2
Volume 3 of A Record of the Benevolent Government at Ōgawa (Ōkawa Jinsei-roku - 大川仁政録)

Volume 2 of <i>A Record of the Benevolent Government at Ōgawa</i> <br>
(Ōkawa Jinsei-roku- 大川仁政録)

1840ca Yoshiume Ookawa ehon 3
Volume 2 of A Record of the Benevolent Government at Ōgawa
(Ōkawa Jinsei-roku- 大川仁政録)

Volume 1 of <i>Gaten Tsūkō</i> [画典通考]

1728 Morikuni stories V1
Volume 1 of Gaten Tsūkō [画典通考]

Volume 1 of <i>A Record of the Benevolent Government at Ōgawa</i> (<i>Ōkawa Jinsei-roku</i> - 大川仁政録)

1840ca Yoshiume Ookawa ehon 1
Volume 1 of A Record of the Benevolent Government at Ōgawa (Ōkawa Jinsei-roku - 大川仁政録)

Triptych of Musashibō Benkei (武蔵坊弁慶) capturing Tosabō during the night attack at Horikawa (<i>Horikawa yo uchi</i> - 堀川夜討)

1800-10 Toyokuni I Benkei vs T
Triptych of Musashibō Benkei (武蔵坊弁慶) capturing Tosabō during the night attack at Horikawa (Horikawa yo uchi - 堀川夜討)

Tora II (二代目とら) of Nakamoriken (中森軒) in Gathering Spring Herbs (<i>Waka natsumi</i> - 若菜摘) from the series <i>Costume Parade of the Shimanouchi Quarter</i> (<i>Shimanouchi nerimono</i> - 島之内ねり物)

1836c Sadahiro Matsuume
Tora II (二代目とら) of Nakamoriken (中森軒) in Gathering Spring Herbs (Waka natsumi - 若菜摘) from the series Costume Parade of the Shimanouchi Quarter (Shimanouchi nerimono - 島之内ねり物)

The wife of the last shōgun, Tokugawa Keiki (徳川慶喜公御簾中), number 20 (第ニ十), from the series <i>Biographies of the People in the Recent Years</i> (Kinsei Jinbutsu Shi - 近世人物誌)

1888 Yoshitoshi Tokugawa Keiki
The wife of the last shōgun, Tokugawa Keiki (徳川慶喜公御簾中), number 20 (第ニ十), from the series Biographies of the People in the Recent Years (Kinsei Jinbutsu Shi - 近世人物誌)

The Upstairs Parlor of a Brothel (<i>Nikai zashiki no zu</i> - 二かい座敷の図) from the series <i>Modern Select Dolls</i> (<i>Tōsei mitate ningyō no uchi</i> - 當盛見立人形之内)

1856 Kuniyoshi diptych
The Upstairs Parlor of a Brothel (Nikai zashiki no zu - 二かい座敷の図) from the series Modern Select Dolls (Tōsei mitate ningyō no uchi - 當盛見立人形之内)

The Tenmei Era (天明ノ頃) from the series <i>Patterns of Edo</i> (<i>Hana moyō</i> - 花模様)

1895c Kiyochika FLowers.jpg
The Tenmei Era (天明ノ頃) from the series Patterns of Edo (Hana moyō - 花模様)

The Sign Painter (<i>Kanteiryū</i> - 感亭流) from the <i>Annual Events of the Edo Theatre</i> (<i>Ō-Edo shibai nenjū-gyōji</i> - 大江戸しばゐねんぢうぎやうじ)

1900c anon sign maker
The Sign Painter (Kanteiryū - 感亭流) from the Annual Events of the Edo Theatre (Ō-Edo shibai nenjū-gyōji - 大江戸しばゐねんぢうぎやうじ)

The New Plum Estate on the Sumida River or <i>Sumidagawa shin-Umeyashiki no zu</i> (隅田川新梅屋敷之図)

1810c Toyokuni I Gathering.jpg
The New Plum Estate on the Sumida River or Sumidagawa shin-Umeyashiki no zu (隅田川新梅屋敷之図)

Tō-fujin (唐夫人) on the left and Rō Raishi (老來子) on the right from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 16-17
Tō-fujin (唐夫人) on the left and Rō Raishi (老來子) on the right from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Tō Ei (Dong Yong 董永) on the left and Chū Yū (Jung Yō 仲由) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 08-09
Tō Ei (Dong Yong 董永) on the left and Chū Yū (Jung Yō 仲由) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Tawara Tōta Hidesato [田原藤太秀郷] and Otohime from the series <i>Twenty-Four Generals for the Katsushika Circle</i> (<i>Katsushika nijūshishō</i> - 葛飾廿四将)

1821c Gakutei P533
Tawara Tōta Hidesato [田原藤太秀郷] and Otohime from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō - 葛飾廿四将)

Taishun 大舜 from the series <i>Twenty Four Paragons of Filial Piety for Children</i> (<i>Nijushi-ko doji kagami</i>: 二十四孝童子鑑)

1840c Kuniyoshi 24 paragons 1
Taishun 大舜 from the series Twenty Four Paragons of Filial Piety for Children (Nijushi-ko doji kagami: 二十四孝童子鑑)

Taishun (大舜) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 01
Taishun (大舜) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Sōshin (曽参) on the left and Binshiken (閔子騫) on the right, from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 04-05
Sōshin (曽参) on the left and Binshiken (閔子騫) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Ō Shō (王祥) and Mōsō (孟宗) from the series <i>The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 22-23
Ō Shō (王祥) and Mōsō (孟宗) from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Satō Shirō Tadanobu (佐藤四郎忠信) brandishing a <i>go</i> board [<i>Goban Tadanobu</i> - 碁盤忠信]

1832 Kuniyoshi suikoden
Satō Shirō Tadanobu (佐藤四郎忠信) brandishing a go board [Goban Tadanobu - 碁盤忠信]

Sai Jun (蔡順) on the left and Chō Kō (張孝) and Chō Rei (張礼) on the right, from the series<i> The Twenty-four Chinese Paragons of Filial Piety</i> (<i>Morokoshi nijūshi-kō</i> - 唐土廾四孝)

1848 Kuniyoshi paragon 10-11
Sai Jun (蔡順) on the left and Chō Kō (張孝) and Chō Rei (張礼) on the right, from the series The Twenty-four Chinese Paragons of Filial Piety (Morokoshi nijūshi-kō - 唐土廾四孝)

Picture of Fireworks at Ryōgoku Bridge (<i>Ryōgoku hanabi no zu</i> - 両国花火之図) - lower half of a six panel composition

1820s Toyokuni I boating
Picture of Fireworks at Ryōgoku Bridge (Ryōgoku hanabi no zu - 両国花火之図) - lower half of a six panel composition

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