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1829 Shigeharu taishun
Taishun (大舜) cultivating the land with the help of an elephant - from the series 24 Paragons of Filial Piety (廿四孝ノ内)

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1829 Ashiyuki triptych
From the left: Sawamura Kunitarō II (沢村国太郎), Arashi Rikan II (嵐璃寛), Arashi Sangorō IV (嵐三五郎) and Arashi Tomisaburō II (あらし富三郎) in imagined roles, a mitate

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1828ca Shunshi Schwaab 115
Gatōken Shunshi (画登軒春芝) of Onoe Tamizō II (尾上多見蔵) as both a night watchman and a Celestial princess from the play Hatsuharu no Kotobuki Iwau Kokonobake 初春寿九化 - (A Set of Nine Changes - 九之化之内)

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1828ca Shunsei Schwaab 114
Onoe Tamizō II (二代目尾上多見蔵) as both Kajiwara Genta [梶原源太] and as a fisherman from the play Hatsuharu no Kotobuki Iwau Kokonobake 初春寿九化 - (A Dance of Nine Changes - 九之化之内)

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1828ca Shunsei Schwaab 113
Onoe Tamizō II (二代目尾上多見蔵) as both Gorō Tokimune (五郎時宗) and as a young girl from the play Hatsuharu no Kotobuki Iwau Kokonobake - 初春寿九化 - ('A Dance of Nine Changes' - 九之化之内)

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1825c Toyokuni II hare
The Sign of the Hare (卯) from the series Elegant Women Likened to the Twelve Animals of the Zodiac (Fūryū azuma sugata jūnishi - 風流東姿十二支)

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1820s Kuniyasu pentaptych
Pentaptych: bijin holding puppets of actors as otokodate - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

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1820s Kunisada actors stage
Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

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1820c Kuniyasu pipe moon
Bijin looking at the full moon

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1820ca Ashiyuki Kunitaro II
Sawamura Kunitarō II (沢村国太郎) in an unidentified, imagined onnagata role, a mitate - the right-hand panel of a four panel composition

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1818c Kunisada bijin child
Fan print of a courtesan with her child assistant - the background is the Matsu kiri scene from Act 2 of the Chūshingura with Kakogawa Honzō lopping off a pine branch - a mitate (見立)

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