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Ichikawa Danjūrō VII (市川團十郎) as the <i>sumō</i> wrestler Iwakawa Jirōkichi (岩川次郎吉) - right-hand panel of a diptych

1820 Kunisada Danjuro sumo
Ichikawa Danjūrō VII (市川團十郎) as the sumō wrestler Iwakawa Jirōkichi (岩川次郎吉) - right-hand panel of a diptych

Backside of keyblock

1820 Kunisada keyblock - back.
Backside of keyblock

Keyblock for Fabric Pattern Series - two sides with contemporary proof for a print from the series 'Custom-made for today's tastes - heavy brocade cloth (御誂当世好 - 厚板)

1820 Kunisada keyblock.jpg
Keyblock for Fabric Pattern Series - two sides with contemporary proof for a print from the series 'Custom-made for today's tastes - heavy brocade cloth (御誂当世好 - 厚板)

<i>Bijin</i> playing with cat

1820c Kunisada cat
Bijin playing with cat

Watanabe Genji Tsuna (渡邉源次綱) struggling with the Shōgun Tarō Yoshikado (太郎良門)

1820c Kunisada fighters
Watanabe Genji Tsuna (渡邉源次綱) struggling with the Shōgun Tarō Yoshikado (太郎良門)

Onoe Kikugorō III (尾上菊五郎 ) as the carpenter or <i>daiku</i> Rokuzo ( 大工六三) from the play <i>Keisei Date No Kikigaki</i> (けいせい伊達抄) - from an untitled series

1820c Kunisada kikugoro III
Onoe Kikugorō III (尾上菊五郎 ) as the carpenter or daiku Rokuzo ( 大工六三) from the play Keisei Date No Kikigaki (けいせい伊達抄) - from an untitled series

Mother and child: Kinryūzan (金竜山) from the series <i>Eight Views of Edo</i> (<i>Edo hakkei no uchi</i> - 江戸八景ノ内)

1820c Kunisada Mother.jpg
Mother and child: Kinryūzan (金竜山) from the series Eight Views of Edo (Edo hakkei no uchi - 江戸八景ノ内)

An oiran from the series <i>Popular Flute Tunes and Pictures of Women</i> (<i>Fūryū chōshi fue: niagari</i> - 風流調子婦絵: 二上り)

1820c Kunisada Oiran.jpg
An oiran from the series Popular Flute Tunes and Pictures of Women (Fūryū chōshi fue: niagari - 風流調子婦絵: 二上り)

An oiran of the Kanayama house (金山屋) about to step into her getas

1820c Kunisada Oiran Shoes
An oiran of the Kanayama house (金山屋) about to step into her getas

Ichikawa Ebizō V (市川海老蔵) as Toneri Matsuō (舎人松王) coming through the wall, Arashi Izaburō II (嵐猪三郎) as 土師の兵衛 in the center, while on the left is Sawamura Tosshō I (澤村訥升) as the real-life Sakuramaru (まれ世実ハ桜丸), from the play <i>Sugawara Denju Tenarai Kagami</i> [菅原伝授手習鑑]

1820c Kunisada P1048.jpg
Ichikawa Ebizō V (市川海老蔵) as Toneri Matsuō (舎人松王) coming through the wall, Arashi Izaburō II (嵐猪三郎) as 土師の兵衛 in the center, while on the left is Sawamura Tosshō I (澤村訥升) as the real-life Sakuramaru (まれ世実ハ桜丸), from the play Sugawara Denju Tenarai Kagami [菅原伝授手習鑑]

Chinzei Hachirō Tametomo (鎮西八郎為朝) watching the demons trying to pull the string of his bow

1820c Kunisada tometomo
Chinzei Hachirō Tametomo (鎮西八郎為朝) watching the demons trying to pull the string of his bow

Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

1820s Kunisada actors stage
Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

Chōryō rescuing a slipper from the Wei River for Kōsekikō, the 'Yellow Stone Elder' (漢黄石公), disguised as an insignificant old man, from the series <i>Kan-So Gundan</i> (漢楚軍談)

1820s Kunisada choryo
Chōryō rescuing a slipper from the Wei River for Kōsekikō, the 'Yellow Stone Elder' (漢黄石公), disguised as an insignificant old man, from the series Kan-So Gundan (漢楚軍談)

Ichikawa Danjūrō VII (市川團十郎) as Arajishi Otokonosuke (荒獅子男之助) subduing a giant rat - from the play <i>Date Kurabe Okuni Kabuki</i> [伊達競阿国劇場]

1820s Kunisada Danjuro
Ichikawa Danjūrō VII (市川團十郎) as Arajishi Otokonosuke (荒獅子男之助) subduing a giant rat - from the play Date Kurabe Okuni Kabuki [伊達競阿国劇場]

Okabe Rokuyata Tadazumi (岡部六弥太忠澄) in combat with Satsuma no Kami Tadanori (薩摩守忠度) near Ichinotani - <i>A Grappling Picture: Satsuma no Kami Tadanori and Okabe Rokuyata Tadazumi </i>[<i>Kumiuchi no zu satsuma kami tadanori okabe rokuyata tadazumi</i>]

1820s Kunisada fight
Okabe Rokuyata Tadazumi (岡部六弥太忠澄) in combat with Satsuma no Kami Tadanori (薩摩守忠度) near Ichinotani - A Grappling Picture: Satsuma no Kami Tadanori and Okabe Rokuyata Tadazumi [Kumiuchi no zu satsuma kami tadanori okabe rokuyata tadazumi]

Mimasu Gennosuke I (三枡源之助) in the role of the <i>sumō</i> wrestler Izutsu Menosuke (角力取井筒女之助)

1820s Kunisada gennosuke
Mimasu Gennosuke I (三枡源之助) in the role of the sumō wrestler Izutsu Menosuke (角力取井筒女之助)

A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

1820s Kunisada lightning
A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

Iwai Hanshirō V (岩井半四郎) as Naginoha (なぎの葉) and Seki Sanjūrō II (関三十郎) as the giant Kobayashi Asahina (小林朝比奈) from the series 'Mitate Kyogen' (見立狂言 - Imaginary Plays)

1820s Kunisada mitate kyogen
Iwai Hanshirō V (岩井半四郎) as Naginoha (なぎの葉) and Seki Sanjūrō II (関三十郎) as the giant Kobayashi Asahina (小林朝比奈) from the series 'Mitate Kyogen' (見立狂言 - Imaginary Plays)

Bandō Mitsugorō III (坂東三津五郎) as Hayano Kanpei (早勘平) from the series <i>Great Performances: Contemporary Pressed-Cloth Battledores</i> (<i>Tōsei oshi-e hagoita atari kyōgen no uchi</i> - 當世押絵羽子板)

1820s Kunisada mitsugoro battl
Bandō Mitsugorō III (坂東三津五郎) as Hayano Kanpei (早勘平) from the series Great Performances: Contemporary Pressed-Cloth Battledores (Tōsei oshi-e hagoita atari kyōgen no uchi - 當世押絵羽子板)

Number 12 - The Syllable <i>Wo</i> (ヲ): <i>Nanasato</i> (七里) of the <i>Sugata-Ebiya</i> from the series <i>ABC Poems for Beautiful Courtesans</i> (<i>Bijin keisei iroha tanka</i>: 美人傾城いろはたん歌)

1820s Kunisada Nanasato
Number 12 - The Syllable Wo (ヲ): Nanasato (七里) of the Sugata-Ebiya from the series ABC Poems for Beautiful Courtesans (Bijin keisei iroha tanka: 美人傾城いろはたん歌)

<i>Mizuchaya</i> (水茶屋) teahouse from the series <i>Contest of Beauties</i> (<i>Bijo kurabe</i> - 美女競)

1820s Kunisada winter read
Mizuchaya (水茶屋) teahouse from the series Contest of Beauties (Bijo kurabe - 美女競)

Riding in a covered pleasure boat on the First Day of the Cock (<i>Hatsutori no yanebune</i> - 初酉の屋根ふね) - from the series 浮世三奥

1820s Kunisada woman in bar bo
Riding in a covered pleasure boat on the First Day of the Cock (Hatsutori no yanebune - 初酉の屋根ふね) - from the series 浮世三奥

Praying for Rain (<i>Amagoi</i> - 雨乞 ) from the series <i>Modern Beauties as the Seven Komachi</i> (<i>Tōsei bijin Nana Komachi</i> - 当世美人七小町)

1821-22 Kunisada amagoi komach
Praying for Rain (Amagoi - 雨乞 ) from the series Modern Beauties as the Seven Komachi (Tōsei bijin Nana Komachi - 当世美人七小町)

<i>The Clever Type</i> (<i>Rikō sō</i> - りこう相), from the series <i>Thirty-two Physiognomic Types in the Modern World</i> (<i>Tōsei sanjūni sō</i> - 当世三十弐相)

1821 Kunisada clever type
The Clever Type (Rikō sō - りこう相), from the series Thirty-two Physiognomic Types in the Modern World (Tōsei sanjūni sō - 当世三十弐相)

Iwai Kumesaburō II (岩井粂三郎) as the courtesan Takao (高尾) and Segawa Kikunojō V (瀬川菊之丞) as the <i>daimyō</i> Yorikane (頼兼)

1821 Kunisada sendai hagi
Iwai Kumesaburō II (岩井粂三郎) as the courtesan Takao (高尾) and Segawa Kikunojō V (瀬川菊之丞) as the daimyō Yorikane (頼兼)

Woman reading a letter from the series <i>Ukiyo jūroku musashi</i> 'Sixteen Musashi Games of the Floating World' (浮世十六むさし)

1822c Kunisada board game
Woman reading a letter from the series Ukiyo jūroku musashi 'Sixteen Musashi Games of the Floating World' (浮世十六むさし)

Triptych of three beauties on their way to an assignation - the Night Escort (<i>Yoru no okuri</i> 夜の送り)

1822c Kunisada night street
Triptych of three beauties on their way to an assignation - the Night Escort (Yoru no okuri 夜の送り)

The Hour of the Rooster, Sixth Hour of Twilight (<i>Tori no koku, Kure muttsu</i>) - 5 to 7 PM, from the series <i>A Yoshiwara Clock</i> (<i>Yoshiwara tokei nihen - Mitate hakkei</i> - 吉原時計　酉ノ刻　暮六ツ)

1823 Kunisada Clock Bijin
The Hour of the Rooster, Sixth Hour of Twilight (Tori no koku, Kure muttsu) - 5 to 7 PM, from the series A Yoshiwara Clock (Yoshiwara tokei nihen - Mitate hakkei - 吉原時計　酉ノ刻　暮六ツ)

"Hiding Eyebrows" (<i>Mayu kakushi</i> - 眉かくし) from the series <i>Mirrors of the Modern Boudoir</i> (<i>Imafū keshō-kagami</i> - 今風化粧鏡)

1823 Kunisada hiding eyebrows
"Hiding Eyebrows" (Mayu kakushi - 眉かくし) from the series Mirrors of the Modern Boudoir (Imafū keshō-kagami - 今風化粧鏡)

Kamegiku of Manji House (万字屋内亀菊) heating tea over a brazier - from a triptych entitled <i>Winter</i> (Fuyu - 冬) - right-hand panel of a triptych - from the series of 'The Four Seasons' (<i>Shiki no uchi</i> - 四季ノ内)

1823c Kunisada winter fuyu
Kamegiku of Manji House (万字屋内亀菊) heating tea over a brazier - from a triptych entitled Winter (Fuyu - 冬) - right-hand panel of a triptych - from the series of 'The Four Seasons' (Shiki no uchi - 四季ノ内)

Young Geisha/Prostitute: Fukagawa (深川[新子] <i>Fukagawa Shinko</i>) from the series <i>Edo Meisho</i> (Famous Places of Edo - 江戸名所) - <i>surimono</i>-like

1824-25 Kunisada edo meisho 1
Young Geisha/Prostitute: Fukagawa (深川[新子] Fukagawa Shinko) from the series Edo Meisho (Famous Places of Edo - 江戸名所) - surimono-like

Serving Girl from a Teahouse: Ryōgoku (<i>Ryōgoku chaya musume</i> - 両国茶屋娘) from the series <i>Edo Meisho</i> (<i>Famous Places of Edo</i> - 江戸名所) - <i>surimono</i>-type

1824-25 Kunisada edo meisho 2
Serving Girl from a Teahouse: Ryōgoku (Ryōgoku chaya musume - 両国茶屋娘) from the series Edo Meisho (Famous Places of Edo - 江戸名所) - surimono-type

The Style of a Daimyō's Maid: Ueno (上野 <i>Ueno goten fū</i>) from the series <i>Edo Meisho</i> (<i>Famous Places of Edo</i> - 江戸名所) - <i>surimono</i>-like

1824-25 Kunisada edo meisho 3
The Style of a Daimyō's Maid: Ueno (上野 Ueno goten fū) from the series Edo Meisho (Famous Places of Edo - 江戸名所) - surimono-like

The Style of a Geisha: San'en (三園[?] - <i>San'en geisha fū</i>) from the series <i>Famous Places of Edo</i> (<i>Edo meishō</i> - 江戸名所) - <i>surimono</i>-like

1824-25 Kunisada edo meisho sa
The Style of a Geisha: San'en (三園[?] - San'en geisha fū) from the series Famous Places of Edo (Edo meishō - 江戸名所) - surimono-like

A High-Ranking Courtesan: New Yoshiwara (Shin-yoshiwara - 新吉原) from the series <i>Famous Places of Edo</i> (Edo meishō - 江戸名所) - <i>surimono</i>-like

1824 Kunisada koban
A High-Ranking Courtesan: New Yoshiwara (Shin-yoshiwara - 新吉原) from the series Famous Places of Edo (Edo meishō - 江戸名所) - surimono-like

Ichimura Uzaemon XII (市村羽左衛門) as Saitōgo Kunitake (斎藤吾国武) and Seki Sanjūrō II (関三十郎) as the samurai Goto Hyōe Morinaga (後藤兵衛盛長) in the play <i>Itsukushima sugata no utsushi-e</i> (巌島姿写絵)

1824 Kunisada P1185.jpg
Ichimura Uzaemon XII (市村羽左衛門) as Saitōgo Kunitake (斎藤吾国武) and Seki Sanjūrō II (関三十郎) as the samurai Goto Hyōe Morinaga (後藤兵衛盛長) in the play Itsukushima sugata no utsushi-e (巌島姿写絵)

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actor prints (yakusha-e - 役者絵) (133)

Arashi Izaburō II (二代目嵐猪三郎: from 11/1841 to 7/27/1846) (1)

Arashi Kichisaburō III (三代目嵐吉三郎 - from 1/1821 to 9/28/1864) (2)

Arashi Rikaku II (二代目嵐璃珏: 11/1831 to 7/14/1864) (1)

Arashi Rikan III (三代目嵐璃寛: 8/1843-4/1863) (1)

Arashi Shinpei IV (四代目嵐新平 - from 11/1797 to 10/1815) (1)

Asahina Saburō (朝比奈三郎) (1)

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carved woodblock (1)

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color woodblock print on crepe paper (1)

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color woodblock print; ōban diptych (1)

color woodblock print; ōban triptych (9)

color woodblock print; ōban yoko-e (1)

color woodblock prints (3)

color woodblock prints bound in book (ehon) (1)

color woodlbock print; ōban yoko-e (1)

Japanese color woodblock print (94)

Japanese color woodblock prints (8)

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Japanese woodblock print (134)

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Japanese woodblock prints (1)

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19th century (351)

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Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 2 (1)

Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 3 (1)

Nelson-Atkins Museum of Art - Water Embodied in Japanese Prints - Rotation 4 (2)

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