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person: person: year:
Bandō Shūka I (初代坂東しうか) as the geisha Gaku no Kosan (げひしやがくの小さん) on the right and Ichikawa Danjūrō VIII (八代目市川団十郎) as Tobi-no-mono Omatsuri Kingorō (鳶の者於祭の金五良) on the left
1847-52 Kuniyoshi two actors
Bandō Shūka I (初代坂東しうか) as the geisha Gaku no Kosan (げひしやがくの小さん) on the right and Ichikawa Danjūrō VIII (八代目市川団十郎) as Tobi-no-mono Omatsuri Kingorō (鳶の者於祭の金五良) on the left

Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or <i>Agemaki of the Three Shores House</i> (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play <i>Sukeroku kuruwa no hanami doki</i> [助六廓の花見時]
1850 Kuniyoshi Diptch
Performers who hit the bull's eye: Bandō Shūka I on the left as Miuraya Agemaki or Agemaki of the Three Shores House (三浦屋揚巻) and Ichikawa Danjūrō VIII on the right as Agemaki no Sukeroku (揚巻の助六) from the play Sukeroku kuruwa no hanami doki [助六廓の花見時]

Ichikawa Danjūrō VIII as Kamiya Iemon (神谷仁右衛門) with his servant, Kohei and his dead wife Oiwa (お岩)  nailed to a door along with images of their skeletons - a <i>shikake-e</i> or 'mechanical print'
1850c Kuniyoshi popup
Ichikawa Danjūrō VIII as Kamiya Iemon (神谷仁右衛門) with his servant, Kohei and his dead wife Oiwa (お岩) nailed to a door along with images of their skeletons - a shikake-e or 'mechanical print'

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Prints (3)

person

actor prints (yakusha-e - 役者絵) (3)
Bandō Shūka I (初代坂東しうか: from 11/1839 to 11/1854) (2)
Oiwa (お岩) (1)
Sanoya Kihei (佐野屋喜兵衛) (1)
Ōtaya Takichi (太田屋多吉) (1)

medium

color woodblock print (1)
Japanese color woodblock print (1)
Japanese woodblock print (1)

century

19th century (2)

decade

1850s (2)
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