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Aizuri-e - a <i>bijin</i> stands before a large plant of chrysanthemums from the series <i>Beauties of the Latest Fashion Compared with the Beauty of Flowers</i> (Tōsei bijin hana-awase - 當世美人花合)

1830c Toyokuni II bat aizuri-e
Aizuri-e - a bijin stands before a large plant of chrysanthemums from the series Beauties of the Latest Fashion Compared with the Beauty of Flowers (Tōsei bijin hana-awase - 當世美人花合)

An elegant <i>oiran</i> wearing a winter kimono decorated with a dragon.

1804-13c Shunsen kakemono aizu
An elegant oiran wearing a winter kimono decorated with a dragon.

Arashi Kano I (あらし加納) as the wife Omatsu (嫁おまつ), Arashi Rikan II (嵐璃寛) as Watanabe Ryosuke (渡辺良助) on the right, Fujikawa Tomokichi II (藤川友吉) as Azuma (あづま) to the left of the previous one, Ichikawa Danzō V (市川団蔵) as Yodoya Tatsugorō (淀屋辰五郎) and Nakayama Ittoku II (中山一徳) as the gentlewoman Otsugi (こしもとおつぎ) on the left, in the play <i>Keisei Yanagizakura</i> [けいせい楊柳桜]

1829 Ashiyuki quad aizurie
Arashi Kano I (あらし加納) as the wife Omatsu (嫁おまつ), Arashi Rikan II (嵐璃寛) as Watanabe Ryosuke (渡辺良助) on the right, Fujikawa Tomokichi II (藤川友吉) as Azuma (あづま) to the left of the previous one, Ichikawa Danzō V (市川団蔵) as Yodoya Tatsugorō (淀屋辰五郎) and Nakayama Ittoku II (中山一徳) as the gentlewoman Otsugi (こしもとおつぎ) on the left, in the play Keisei Yanagizakura [けいせい楊柳桜]

Arashi Rikan II (嵐璃寛) on a boat possibly as Fujiwara no Kamatari Daijin - the founder of the Fujiwara clan

1829 Shigeharu rikan II
Arashi Rikan II (嵐璃寛) on a boat possibly as Fujiwara no Kamatari Daijin - the founder of the Fujiwara clan

Arash Rikan II (嵐璃寛) as the <i>yakko</i> Tsumahei (奴妻平) in <i>Shin Usuyuki Monogatari</i> [新うすゆき物語]

1829 Ashiyuki Rikan II
Arash Rikan II (嵐璃寛) as the yakko Tsumahei (奴妻平) in Shin Usuyuki Monogatari [新うすゆき物語]

A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

1820s Kunisada lightning
A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

Bai Sheng, the Daylight Rat, (Hakujisso Hakushō - 白日鼠白勝), from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)

1827-30c Kuniyoshi bai sheng
Bai Sheng, the Daylight Rat, (Hakujisso Hakushō - 白日鼠白勝), from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)

Bijin looking at the full moon

1820c Kuniyasu pipe moon
Bijin looking at the full moon

Bust portrait of Onoe Kikugorō III [三代目尾上菊五郎]

1820s Toyokuni II kikugoro B
Bust portrait of Onoe Kikugorō III [三代目尾上菊五郎]

Du Xing, the Devil-faced (Kirenji Tokō - 鬼臉兒杜興) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)

1827-30c Kuniyoshi bell
Du Xing, the Devil-faced (Kirenji Tokō - 鬼臉兒杜興) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)

Ehon: <i>In Praise of Love in All Four Seasons</i> (<i>Shunka shūtō</i> - 春夏秋冬 - Spring, Summer, Fall and Winter: <i>Shiki no nagame</i> - 色の詠) - volume 2 of a 4 volume set

1827-29 Kunisada shunka shuto
Ehon: In Praise of Love in All Four Seasons (Shunka shūtō - 春夏秋冬 - Spring, Summer, Fall and Winter: Shiki no nagame - 色の詠) - volume 2 of a 4 volume set

Fan print of a courtesan with her child assistant - the background is the <i>Matsu kiri</i> scene from Act 2 of the <i>Chūshingura</i> with Kakogawa Honzō lopping off a pine branch - a <i>mitate</i> (見立)

1818c Kunisada bijin child
Fan print of a courtesan with her child assistant - the background is the Matsu kiri scene from Act 2 of the Chūshingura with Kakogawa Honzō lopping off a pine branch - a mitate (見立)

From right to left: Arashi Sangorō IV (嵐三五郎) as Sonobe no Saemon (園部ノ左衛門), Arashi Rikan II (嵐璃寛) as the footman Tsumahei (奴妻平), Bandō Jūtarō (坂東寿太郎) as Magaki (まかき) and Fujikawa Tomokichi II (藤川友吉) as Usuyuki-hime (薄雪姫) - Viewing cherry blossoms at Kiyomizu

1824 Ashiyuki tetraptych
From right to left: Arashi Sangorō IV (嵐三五郎) as Sonobe no Saemon (園部ノ左衛門), Arashi Rikan II (嵐璃寛) as the footman Tsumahei (奴妻平), Bandō Jūtarō (坂東寿太郎) as Magaki (まかき) and Fujikawa Tomokichi II (藤川友吉) as Usuyuki-hime (薄雪姫) - Viewing cherry blossoms at Kiyomizu

From the left: Sawamura Kunitarō II (沢村国太郎), Arashi Rikan II (嵐璃寛), Arashi Sangorō IV (嵐三五郎) and Arashi Tomisaburō II (あらし富三郎) in imagined roles, a <i>mitate</i>

1829 Ashiyuki triptych
From the left: Sawamura Kunitarō II (沢村国太郎), Arashi Rikan II (嵐璃寛), Arashi Sangorō IV (嵐三五郎) and Arashi Tomisaburō II (あらし富三郎) in imagined roles, a mitate

From the right: Arashi Tomisaburō II (嵐富三郎) as Usuyukihime, Sawamura Kunitaro II (澤村國太郎) as nyōbō Kojoro (女房小女郎), Nakamura Tsurūjirō I (中村鶴十郎) as Fugen no Gonhei, Nakamura Utaemon III (中村歌右衛門) as Jizo no Goheiji (地蔵の五平次) in the center, Nakamura Matsue III (中村松江) as Musume Omitsu (娘おみつ), Arashi Shagan (嵐舎丸) as Miroku no Tanin (みろくの他人) and Asao Gakujūrō (浅尾額十郎) as Sonobe Iori i(園部伊織) in the play "Hanafubuki Uta no Nadokoro"

1829 Hokucho pentaptych
From the right: Arashi Tomisaburō II (嵐富三郎) as Usuyukihime, Sawamura Kunitaro II (澤村國太郎) as nyōbō Kojoro (女房小女郎), Nakamura Tsurūjirō I (中村鶴十郎) as Fugen no Gonhei, Nakamura Utaemon III (中村歌右衛門) as Jizo no Goheiji (地蔵の五平次) in the center, Nakamura Matsue III (中村松江) as Musume Omitsu (娘おみつ), Arashi Shagan (嵐舎丸) as Miroku no Tanin (みろくの他人) and Asao Gakujūrō (浅尾額十郎) as Sonobe Iori i(園部伊織) in the play "Hanafubuki Uta no Nadokoro"

From volume 2, a couple making love on a terrace from <i>In Praise of Love, in the Four Seasons</i> <i>Shunka shūtō, Shiki no nagame</i> - 春夏秋冬 - 色の詠

1827c Kunisada hush
From volume 2, a couple making love on a terrace from In Praise of Love, in the Four Seasons Shunka shūtō, Shiki no nagame - 春夏秋冬 - 色の詠

From volume 2, <i>Night rape</i> <i>In Praise of Love in the Four Seasons</i> (<i>Shunka shūtō, Shiki no nagame</i> - 春夏秋冬 - 色の詠)

1827c Kunisada rape.jpg
From volume 2, Night rape In Praise of Love in the Four Seasons (Shunka shūtō, Shiki no nagame - 春夏秋冬 - 色の詠)

Fujikawa Tomokichi II (藤川友吉) as Azuma (あづま) on the right, Ichikawa Danzō V (市川団蔵) as Yodoya Tatsugorō (淀屋辰五郎) and Nakayama Ittoku II (中山一徳) as the gentlewoman Otsugi (こしもとおつぎ) on the left in the play <i>Keisei Yanagizakura</i> [けいせい楊柳桜]

1829 Ashiyuki quad color
Fujikawa Tomokichi II (藤川友吉) as Azuma (あづま) on the right, Ichikawa Danzō V (市川団蔵) as Yodoya Tatsugorō (淀屋辰五郎) and Nakayama Ittoku II (中山一徳) as the gentlewoman Otsugi (こしもとおつぎ) on the left in the play Keisei Yanagizakura [けいせい楊柳桜]

Onoe Tamizō II as a night watchman and as a Chinese princess

1828ca Shunshi Schwaab 115
Gatōken Shunshi (画登軒春芝) of Onoe Tamizō II (尾上多見蔵) as both a night watchman and a Celestial princess from the play Hatsuharu no Kotobuki Iwau Kokonobake 初春寿九化 - (A Set of Nine Changes - 九之化之内)

Gongsun Sheng, Single Purity (Nyūunryū Kōsonshō -入雲龍公孫勝) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個)

1827-30 Kuniyoshi pupular suik
Gongsun Sheng, Single Purity (Nyūunryū Kōsonshō -入雲龍公孫勝) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan All Told (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個)　

Group of actors in summer attire visiting a tea house overlooking the Benten Shrine at Shinobazu Pond in Ueno

1810c Kuniyasu visit tea
Group of actors in summer attire visiting a tea house overlooking the Benten Shrine at Shinobazu Pond in Ueno

Guo Sheng, the Second Ren Gui (Saijinki Kakusei - 賽仁貴郭盛) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個) - left panel of a diptych

1827-30c Kuniyoshi kwakusei
Guo Sheng, the Second Ren Gui (Saijinki Kakusei - 賽仁貴郭盛) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個) - left panel of a diptych

Gyokukirin Roshungi (Lu Junyi, the Jade Unicorn - 玉麒麟盧俊義) from the series <i>The Hundred and Eight Heroes of the Popular Suikoden</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個) - center panel of a triptych

1827-30 Kuniyoshi suikoden 17
Gyokukirin Roshungi (Lu Junyi, the Jade Unicorn - 玉麒麟盧俊義) from the series The Hundred and Eight Heroes of the Popular Suikoden (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個) - center panel of a triptych

Hakutenchō Riō (樸天鷗李應 - Li Ying) and Bossharan Bokukō (撲天雕李應,設遮攔穆弘 - Mu Hong) from the series <i>One Hundred and Eight Heroes of the Popular Shuihuzhuan</i> (<i>Tsūzoku Suikoden gōketsu hyakuhachinin no hitori</i> - 通俗水滸伝豪傑百八人之一個) - left-hand panel of a triptych

1827c Kuniyoshi 06
Hakutenchō Riō (樸天鷗李應 - Li Ying) and Bossharan Bokukō (撲天雕李應,設遮攔穆弘 - Mu Hong) from the series One Hundred and Eight Heroes of the Popular Shuihuzhuan (Tsūzoku Suikoden gōketsu hyakuhachinin no hitori - 通俗水滸伝豪傑百八人之一個) - left-hand panel of a triptych

<i>Aizuri-e</i> of a <i>bijin</i> reaching up to grab a branch of a flowering cherry tree, from the series <i>Beauties of the Latest Fashion Compared with the Beauty of Flowers</i> (<i>Tōsei bijin hana-awase</i> - 當世美人花合)

1830c Toyokuni II bat aizuri
Aizuri-e of a bijin reaching up to grab a branch of a flowering cherry tree, from the series Beauties of the Latest Fashion Compared with the Beauty of Flowers (Tōsei bijin hana-awase - 當世美人花合)

<i>Aizuri-e</i>: the Peasant class (Nō 農) from a series of the four estates <i>Mitate shinōkōshō</i> (無名: 見立士農工商)

1820s Sadakage aizuri-e rooste
Aizuri-e: the Peasant class (Nō 農) from a series of the four estates Mitate shinōkōshō (無名: 見立士農工商)

<i>Bijin</i> in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled <i>En'nichi no kei</i> (ゑん日乃景) in the <i>toshidama</i> cartouche in the center panel

1820-40c Kunisada crickets
Bijin in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled En'nichi no kei (ゑん日乃景) in the toshidama cartouche in the center panel

<i>Bijin</i> looking in a mirror from the series <i>Light Makeup of the Present Day</i> (<i>Tōsei usugeshō</i> - 當世薄化粧)

1829 Kunisada bijin with low s
Bijin looking in a mirror from the series Light Makeup of the Present Day (Tōsei usugeshō - 當世薄化粧)

Ichikawa Danjūrō VII (市川團十郎) as Arajishi Otokonosuke (荒獅子男之助) subduing a giant rat - from the play <i>Date Kurabe Okuni Kabuki</i> [伊達競阿国劇場]

1820s Kunisada Danjuro
Ichikawa Danjūrō VII (市川團十郎) as Arajishi Otokonosuke (荒獅子男之助) subduing a giant rat - from the play Date Kurabe Okuni Kabuki [伊達競阿国劇場]

Ichikawa Danjūrō VII (市川團十郎) as Genta Jūsaburō in an unidentified play

1820s ca Toyokuni II ichikawa
Ichikawa Danjūrō VII (市川團十郎) as Genta Jūsaburō in an unidentified play

Ichikawa Danjūrō VII (市川團十郎) as Yorikane (頼兼実ハ道鉄) - right panel of a diptych

1825-30ca Kunisada Danjuro
Ichikawa Danjūrō VII (市川團十郎) as Yorikane (頼兼実ハ道鉄) - right panel of a diptych

Ichikawa Ebijūrō II (市川鰕十郎) as Horiguchi Manemon (堀口万右衛門) - the right panel of a triptych from the play <i>Sao no uta Kizugawa hakkei </i>(<i>Song of the boat pole</i>: <i>Eight views of the Kizu River</i> - 棹歌木津川八景)

1829 Hokucho ebijuro manemon
Ichikawa Ebijūrō II (市川鰕十郎) as Horiguchi Manemon (堀口万右衛門) - the right panel of a triptych from the play Sao no uta Kizugawa hakkei (Song of the boat pole: Eight views of the Kizu River - 棹歌木津川八景)

Ichikawa Ebijūrō II (市川鰕十郎) as Horiguchi Manemon (堀口万右衛門) - the right-hand panel of a triptych from the play <i>Sao no uta Kizugawa hakkei</i> ('Song of the boat pole: Eight views of the Kizu River' - 棹歌木津川八景)

1829 Hokucho ebijuro II
Ichikawa Ebijūrō II (市川鰕十郎) as Horiguchi Manemon (堀口万右衛門) - the right-hand panel of a triptych from the play Sao no uta Kizugawa hakkei ('Song of the boat pole: Eight views of the Kizu River' - 棹歌木津川八景)

Ichikawa Hakuen II (市川白猿) as Yanone Gorō (矢の根五郎) sharpening his giant arrow in the play <i>Oniwaka Nagori no Motodori</i> (鬼若名残髻 - 'Oniwaka's farewell topknot')

1829 Shigeharu Hakuen
Ichikawa Hakuen II (市川白猿) as Yanone Gorō (矢の根五郎) sharpening his giant arrow in the play Oniwaka Nagori no Motodori (鬼若名残髻 - 'Oniwaka's farewell topknot')

<i>Shunga</i> with an <i>awabi</i> diver

1820s Hokusai shunga
Shunga with an awabi diver

Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

1820s Kunisada actors stage
Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

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