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1344 object Results

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object type: century:

From an illustrated book on filial piety, the <i>Eiri kōkyō</i> (絵入孝経) by Kitao Masayoshi

1700s Chushingura.jpg
From an illustrated book on filial piety, the Eiri kōkyō (絵入孝経) by Kitao Masayoshi

Kintarō reading an <i>ehon</i> on the back of a bear accompanied by an <i>oni</i> holding an ax

1789 Kiyonaga kintaro bear.jpg
Kintarō reading an ehon on the back of a bear accompanied by an oni holding an ax

The dolphin-like <i>kinshachi</i> (金鯱) atop Nagoya Castle at sunset (or sunrise)

1790-1810c Sori surimono
The dolphin-like kinshachi (金鯱) atop Nagoya Castle at sunset (or sunrise)

Woman smoking, seated man writing and small boy holding tray

1790c Toyohiro Tea
Woman smoking, seated man writing and small boy holding tray

<i>Among the Geisha of the New Yoshiwara</i> (新吉原芸者中) - one panel of a probable triptych

1790s Kikumaro oiran and kamur
Among the Geisha of the New Yoshiwara (新吉原芸者中) - one panel of a probable triptych

Three brave men slaying the giant <i>uwabami</i> [蟒蛇]: Imai Shirō (今井四郎) on the right, Higuchi no Jirō (樋口次郎) in the center and Tezuka Tarō (手塚太郎) on the left

1790s Shuntei Egara no Heita
Three brave men slaying the giant uwabami [蟒蛇]: Imai Shirō (今井四郎) on the right, Higuchi no Jirō (樋口次郎) in the center and Tezuka Tarō (手塚太郎) on the left

2 beautiful girls and a monkey dressed up for a New Year's celebration.

1790s Toyokuni I girls and mon
2 beautiful girls and a monkey dressed up for a New Year's celebration.

Kataoka Nizaemon VII (片岡仁左衛門) as Danshichi Kurobei (團七九郎兵衛), Arashi Kitsusaburō II (嵐橘三郎) as Issun Tokubei (一寸徳兵衛) and Nakayama Shinkūrō III or IV (中山新九郎) as Tsurifune no Sabu (つり船ノ三ふ) from the scene 'At Tsurifune Sabu's home'

1793c Ryukosai sumo screen
Kataoka Nizaemon VII (片岡仁左衛門) as Danshichi Kurobei (團七九郎兵衛), Arashi Kitsusaburō II (嵐橘三郎) as Issun Tokubei (一寸徳兵衛) and Nakayama Shinkūrō III or IV (中山新九郎) as Tsurifune no Sabu (つり船ノ三ふ) from the scene 'At Tsurifune Sabu's home'

Sawamura Gennosuke I [初代沢村源之助] with two <i>bijin</i> gathering pine branches or a New Year's celebration from the series 十二組の内 (<i>Jūni kumi no uchi</i>) - center panel of a triptych

1795-1800c Toyokuni river pine
Sawamura Gennosuke I [初代沢村源之助] with two bijin gathering pine branches or a New Year's celebration from the series 十二組の内 (Jūni kumi no uchi) - center panel of a triptych

Act IX: The Treasury of the Loyal Retainers (忠臣蔵　九段目)

1795c Utamaro P165
Act IX: The Treasury of the Loyal Retainers (忠臣蔵　九段目)

Sawamura Sōjūrō III (沢村宗十郎) as Satsuma Gengobei (薩摩源五兵衛) in the play <i>Godairiki koi no fūjime</i> (五大力恋緘) - 'The Five Great Powers that Secure Love'

1798 Toyokuni sawamuro sojuro
Sawamura Sōjūrō III (沢村宗十郎) as Satsuma Gengobei (薩摩源五兵衛) in the play Godairiki koi no fūjime (五大力恋緘) - 'The Five Great Powers that Secure Love'

Portrait of the actor Iwai Kiyotarō II (岩井喜代太郎) the boatman Tokubei [せんどう徳兵衛] from the play <i>Tenjiku Tokubei ikoku banashi</i> (天竺徳兵衛韓噺)

1798c Kunihisa actor
Portrait of the actor Iwai Kiyotarō II (岩井喜代太郎) the boatman Tokubei [せんどう徳兵衛] from the play Tenjiku Tokubei ikoku banashi (天竺徳兵衛韓噺)

Onoe Matsusuke I (尾上松助) as Fujikawa Mizuemon (藤川水右衛門) confronted by the snake

1798c Kunihisa Onoe Matsusuke
Onoe Matsusuke I (尾上松助) as Fujikawa Mizuemon (藤川水右衛門) confronted by the snake

Pleasure boating on the Sumida with a scoop-net (<i>yotsude ami</i> - 四つ手網) - left panel of triptych

1800-01 Utamaro BW
Pleasure boating on the Sumida with a scoop-net (yotsude ami - 四つ手網) - left panel of triptych

Ōtomo no Kuronushi (大伴黒主) from the series 'Modern Children as the Six Poetic Immortals' - <i>Tōsei kodomo rokkasen</i> (当世子供六歌仙)

1800-04 Utamaro Otomo no Kuron
Ōtomo no Kuronushi (大伴黒主) from the series 'Modern Children as the Six Poetic Immortals' - Tōsei kodomo rokkasen (当世子供六歌仙)

Three long-tailed turtles (<i>minogame</i> 蓑亀 or みのがめ) with a message of felicitations - <i>kotobuki</i> (寿)

1800-05 Toyokuni Tortoises
Three long-tailed turtles (minogame 蓑亀 or みのがめ) with a message of felicitations - kotobuki (寿)

Triptych of Musashibō Benkei (武蔵坊弁慶) capturing Tosabō during the night attack at Horikawa (<i>Horikawa yo uchi</i> - 堀川夜討)

1800-10 Toyokuni I Benkei vs T
Triptych of Musashibō Benkei (武蔵坊弁慶) capturing Tosabō during the night attack at Horikawa (Horikawa yo uchi - 堀川夜討)

3 figures in an actor's debut (役者地顔見たて) from the series <i>The Floating World Chūshingura</i> (<i>Ukiyo Chūshingura</i> - 浮世忠臣蔵) - the second act (二段目)

1800-10 Toyokuni I Crane
3 figures in an actor's debut (役者地顔見たて) from the series The Floating World Chūshingura (Ukiyo Chūshingura - 浮世忠臣蔵) - the second act (二段目)

A traveling <i>bijin</i> on horseback pausing for a smoke

1800-10c Tsukimaro horse ride
A traveling bijin on horseback pausing for a smoke

Warriors Struggling in a Storm

1800 Shuntei lightning
Warriors Struggling in a Storm

Onzōshi Ushiwakamaru (御曹子.牛若丸), the young Yoshitsune, and Musashibō Benkei at the beginning of their struggle on Gojō Bridge [五条橋]

1800 Shunzan gojo bridge
Onzōshi Ushiwakamaru (御曹子.牛若丸), the young Yoshitsune, and Musashibō Benkei at the beginning of their struggle on Gojō Bridge [五条橋]

Ichikawa Komazō III (市川高麗蔵) on the left as the ghost of the courtesan Takao (高尾 - 'けいせい高尾ぼうこん') and Bandō Mitsugorō III (坂東三津五郎) as Ashikaga Yorikane (足利左金吾頼兼)

1800 Toyokuni I
Ichikawa Komazō III (市川高麗蔵) on the left as the ghost of the courtesan Takao (高尾 - 'けいせい高尾ぼうこん') and Bandō Mitsugorō III (坂東三津五郎) as Ashikaga Yorikane (足利左金吾頼兼)

Visit to Meguro or <i>Meguro mairi</i> (目黒詣) from the series <i>Edo Meisho asobi</i> (江戸名所遊)

1800ca Utamaro hashira-e
Visit to Meguro or Meguro mairi (目黒詣) from the series Edo Meisho asobi (江戸名所遊)

Onoe Matsusuke I (尾上松助) as the ghost of the wet-nurse Iohata (‘Iohata bokon’) in the play <i>Tenjiku Tokubei ikoku banashi</i> (天竺徳兵衛韓噺)

1800c Kunihisa Onoe Matsusuke
Onoe Matsusuke I (尾上松助) as the ghost of the wet-nurse Iohata (‘Iohata bokon’) in the play Tenjiku Tokubei ikoku banashi (天竺徳兵衛韓噺)

Onoe Matsusuke I (尾上松助) as both the ghost of Kohada Koheiji (小鰭小平次) and Koheiji's wife - from the play <i>Iroiri Otogi Zōshi</i>

1800c Toyokuni I lantern ghost
Onoe Matsusuke I (尾上松助) as both the ghost of Kohada Koheiji (小鰭小平次) and Koheiji's wife - from the play Iroiri Otogi Zōshi

Pillar print of a Okaru [おかる] looking down at Ōboshi Yuranosuke [大星由良之助] - from the ‘Gion Ichiriki Jaya’ scene (段目) VII of the <i>Kanadehon Chūshingura</i> ('Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵)

1800c Toyokuni I Pillar
Pillar print of a Okaru [おかる] looking down at Ōboshi Yuranosuke [大星由良之助] - from the ‘Gion Ichiriki Jaya’ scene (段目) VII of the Kanadehon Chūshingura ('Copybook of the Treasury of Loyal Retainers': 仮名手本忠臣蔵)

Nakamura Utaemon III (中村歌右衛門) as number three (三) from a series of 5 Chivalrous Men

1800c Toyokuni I utaemon
Nakamura Utaemon III (中村歌右衛門) as number three (三) from a series of 5 Chivalrous Men

Samawura Gennosuke I (澤村源之助) in the role of Miuranosuke Yoshiaki (三浦之介義明) in the play <i>Kamakura sandaiki</i> or <i>Three Generations of Kamakura Shoguns</i> - 鎌倉三代記

1800c Toyokuni kennosuke
Samawura Gennosuke I (澤村源之助) in the role of Miuranosuke Yoshiaki (三浦之介義明) in the play Kamakura sandaiki or Three Generations of Kamakura Shoguns - 鎌倉三代記

Keyblock print of Onoe Eizaburō I (尾上栄三郎) and Arashi Sanpachi I (嵐三八) in combat

1800c Toyokuni kikunojo sanjin
Keyblock print of Onoe Eizaburō I (尾上栄三郎) and Arashi Sanpachi I (嵐三八) in combat

Ichikawa Omezō I [市川男女蔵] as Musashibō Benkei [弁慶] and Ichikawa Yaozō III [市川八百蔵] as Shinchūnagon Tomomori [新中納言知盛] in <i>Yoshitsune Senbon Zakura</i> [義経千本桜]

1800c Toyokuni Omezo Yaozo
Ichikawa Omezō I [市川男女蔵] as Musashibō Benkei [弁慶] and Ichikawa Yaozō III [市川八百蔵] as Shinchūnagon Tomomori [新中納言知盛] in Yoshitsune Senbon Zakura [義経千本桜]

A tattooed woman having sex with Raijin, the god of thunder and lightning

1800c Unknown shunga tiger no-
A tattooed woman having sex with Raijin, the god of thunder and lightning

Attributed to a later Okumura Masanobu (政信) - a Meiji rebus or <i>hanji-e</i> [判じ絵] triptych of Fashionable New Complaints

1800s Anonymous meiji rebus
Attributed to a later Okumura Masanobu (政信) - a Meiji rebus or hanji-e [判じ絵] triptych of Fashionable New Complaints

<i>Mitate</i> of the Three Gods of Fortune in their Prime (全盛見立三福神) each represented by a famous courtesan - this is the left panel of a triptych showing Yoyoyama of the Matsubaya (松葉屋内代々山)

1800s Kunisada parody good for
Mitate of the Three Gods of Fortune in their Prime (全盛見立三福神) each represented by a famous courtesan - this is the left panel of a triptych showing Yoyoyama of the Matsubaya (松葉屋内代々山)

<i>Kyōgen</i> performer wearing a monkey mask

1800s unknown sanbaso dancer
Kyōgen performer wearing a monkey mask

Various figures aboard the Treasure Ship (<i>Takarabune</i>) which is generally reserved for the The Seven Gods of Good Fortune (<i>Shichifukujin</i>) - a <i>mitate</i>

1800s Unknown shichi fukujin
Various figures aboard the Treasure Ship (Takarabune) which is generally reserved for the The Seven Gods of Good Fortune (Shichifukujin) - a mitate

Fishing with a four armed scoop-net (<i>yotsude ami</i> - 四つ手網) by the light of a crescent moon

1801ca Utamaro triptych scoop
Fishing with a four armed scoop-net (yotsude ami - 四つ手網) by the light of a crescent moon

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