17 object Results

• Add all results to lightbox
• Select results to add to lightbox
• Sort by:
• Identifier
• Title
• Sort order:
• Ascending
• Descending
• Start Over

Add selected results to lightbox

1793c Ryukosai sumo screen
Kataoka Nizaemon VII (片岡仁左衛門) as Danshichi Kurobei (團七九郎兵衛), Arashi Kitsusaburō II (嵐橘三郎) as Issun Tokubei (一寸徳兵衛) and Nakayama Shinkūrō III or IV (中山新九郎) as Tsurifune no Sabu (つり船ノ三ふ) from the scene 'At Tsurifune Sabu's home'

---

1816-18 Kuniyasu Geisha
Morning routine of a beautiful woman from an untitled series of bijin accompanied by poems

---

1820-25 Kunisada evening
The Hour of the Dog, Fifth Hour of the Night (Inu no koku - 戌ノ刻, Yoru itsutsu - 夜五ツ) from the series Yoshiwara Clock (Yoshiwara-tokei - 吉原時計)

---

1820-25 Kuniyasu suikoden Hana
Parody of Zhu Wu: the Divine Strategist Shinkigunshi Shubu no mitate (神機軍師朱武の見立) from Tsūzoku Suikoden Gōketsu Hyaku-hachi-nin no Hitori (通俗水滸伝豪傑百八人之一個) 'The hundred and eight heroes of the Suikoden' Ōgiya uchi Hanaōgi The courtesan Hana-Ogi of the Ogiya house (扇屋内　花扇)

---

1820-25ca Eisen shunga
A couple locked in an embrace

---

1820-40c Kunisada crickets
Bijin in a summer robe, standing before an insect merchant's portable booth, visiting a shrine temple during a festival - this is the left panel of a triptych entitled En'nichi no kei (ゑん日乃景) in the toshidama cartouche in the center panel

---

1820c Kunisada tometomo
Chinzei Hachirō Tametomo (鎮西八郎為朝) watching the demons trying to pull the string of his bow

---

1820c Kuniyasu pipe moon
Bijin looking at the full moon

---

1820s Hokuju landscape yoko-e
San'enzan Zōjō-ji Temple (San'enzan Zōjō-ji zu - 三園山増上寺図) from the series The Eastern Capital (Tōto - 東都)

---

1820s Hokusai shunga
Shunga with an awabi diver

---

1820s Kunisada actors stage
Iwai Hanshirō V (岩井半四郎) with Matsumoto Kōshirō V (松本幸四郎) on stage - in the center panel of a triptych entitled 大当三階花見図 - the figure in the background is Sawamura Kawazō (澤村川蔵)

---

1820s Kunisada lightning
A young mother is hanging a mosquito net to protect herself and her child against a lightning storm - center panel of a triptych

---

1820s Kuniyasu pentaptych
Pentaptych: bijin holding puppets of actors as otokodate - from the left - Bandō Mitsugorō III (坂東三津五郎) as An no Heibei (安ノ平兵衛), Onoe Kikugorō III (尾上菊五郎) as Gokuin Sen'emon (極印千右衞門), Matsumoto Kōshirō V (松本幸四郎) as Kaminari Shōkurō (雷庄九郎), Seki Sanjūrō II (関三十郎) as Hotei Ichiemon (布袋市右衛門) and Ichikawa Danjūrō VII (市川團十郎) as Karigane Bunshichi (雁金文七) - from 'Five Chivalrous Men as Puppets' (Mitate ningyō gonin otoko - 見立人形五人男)

---

1820s Sadakage aizuri-e rooste
Aizuri-e: the Peasant class (Nō 農) from a series of the four estates Mitate shinōkōshō (無名: 見立士農工商)

---

1820s Toyokuni I boating
Picture of Fireworks at Ryōgoku Bridge (Ryōgoku hanabi no zu - 両 国花火之図) - lower half of a six panel composition

---

1820s Toyokuni II triptych sno
Six prominent kabuki actors on a winter outing

---

1830 Kuniyoshi triptych nue
Minamoto Yorimasa (源三位頼政 - here Genzanmi Yorimasa) on the left has shot the nue (鵺) - Ii no Hayata Hironao (猪早太廣直) in the center is about to finish it off. On the right panel is Watanabe Teishichi Tonau (渡邉丁七唱)

---

Next 36