Artist: Toyohara Chikanobu (豊原周延)

Print: Fireflies (hotaru - ほたる) from the series The Inner Precincts at Chiyoda (Chiyoda no Ōoku - 千代田之大奥)

Bookmark and Share
Dates: created,1896
Dimensions: 9.75 in,14.25 in,Overall dimensions
Medium: Japanese woodblock print

Related links: British Musuem ; National Diet Library; Tokyo Metropolitan Library; Metropolitan Museum of Art - the whole triptych; Google map - Chiyoda, Tokyo; Ishikawa Prefectural Museum of Art;

Physical description:

The Chiyoda Palace was first the residence of the shogun, but became the home of the Emperor and his family in 1868.


The publisher's seal which appears on the far right panel in the triptych shown below appears to be that of Fukuda Kumajirō (Marks 071 - seal 30-046). The signature is Yōshū Chikanobu (楊洲周延).

complete triptych in British Musuem


"The spatial layout of Chiyoda castle reflected the principles of concealment that buttressed the shogun's authority. Closest to the main entrance was the largest reception hall, the ōhiroma 大広間 shaped like a squared U. The left side contained three rooms called dan 段, each elevated above the other. The shogun usually sat in the upper dan. At the bottom of the U and up its right side were the second, third, and fourth reception rooms called ma 間... Since the ōhiroma was the farthest from the interior, it was reserved for the most powerful tozama daimyo and the most formal of ceremonies. Farther in the interior was the Shiroshoin 白書院 that had two reception rooms, the upper and lower dan as well as two waiting rooms. It was for fudai daimyo and the shogun's relatives. Deeper yet was the Kuroshoin 黒書院 for the shogun's officials, considered to be more a part of his family than his relatives... It also constituted the setting for smaller, informal interactions between the chief daimyo and the shogun... The shogun's private quarters lay beyond that. Deep within castle walls was the Great Interior (Ōoku 大奥) for the shogun's women, officially off-limits to all men except the shogun. Unlike the vistas, public gardens, and plazas that distinguished Versailles, the Chinese Forbidden City, or the Ottoman sultan's Topkapi palace, the maze of rooms and corridors in Chiyoda palace was designed to confuse the unwary and conceal the shogun's whereabouts from potential enemies." Quoted from: The Culture of Secrecy in Japanese Religion.